Dr Amy Chambers
Research Associate in Science Communication & Screen Studies
- Email: firstname.lastname@example.org
- Telephone: 0191 208 5816
- Personal Website: http://orcid.org/0000-0002-3801-3582
- Address: Room 5.41
School of Geography, Politics, and Sociology
5th Floor Claremont Tower
Gender representation in science-based media; women and minorities in STEM representation in science-based media; the intersection of science, religion, and entertainment media; visual culture of science fiction; Anglo-American science fiction cinema (1967-1977); the domestication of horror; methods of visual storytelling; film theory and history; digital media and electronic literature.
I contribute blog posts to the 'Science and Entertainment Laboratory' that tend to focus on science and superheroes/comic books, science fiction and real world science, and gender representation in science-based media. This is an off-shoot from my previous research project in collaboration with colleagues at the University of Manchester.
I also write for the blog for my current project 'Unsettling Scientific Stories' writing about my experiences on the project and the ideas and questions generated by research on science futures and contemporary science-based fictions.
'Unsettling Scientific Stories: Expertise, Narrative, and Future Histories' - an AHRC-funded inter-institutional project (York, Newcastle, Aberystwyth) investigating the history of the future during the long 20th Century. The specific Newcastle project 'Prospecting Futures' (PI: Dr Lisa Garforth) will survey contemporary efforts to map futures in science and SF narratives, and will explore the emergent futures generated in relation to new and emerging scientific fields.
'The Playing God Project: Exploring the Interactions Among the Biosciences, Religion, and Entertainment Media' - a Wellcome Trust-funded project exploring the intersection of science. religion and entertainment media. Institutional affiliation: Centre for the History of Science, Technology, and Medicine, University of Manchester. Primary Investigator: Dr David A. Kirby.
2013-2016 | Research associate in Science Communication Studies | Centre for the History of Science, Technology, and Medicine, University of Manchester.
2010-2013 | Lecturer in Film Studies and Visual Culture | School of Creative Studies and Media, Bangor University, Wales.
I work in the fields of science communication and screen studies and I’m interested in the relationship between movies and the public understanding of science. I conduct research into science fiction movies made between 1967-1977 and their incorporation of real-world science and imagined future science. My work also analyses how major scientific concepts and advancements have influenced onscreen representations of science. As part of my current book-in-progress I am looking more specifically at how leaders and members of religious institutions have interpreted and understood science in movies. I also work on the representation of women and minorites in STEM and the inclusion of a diverse scientists in the processes of entertainment media production.
Planned future research as part of my current project will explore the representation and projected futures of women and minority groups within scientific cultures and imagined futures in Anglo-American entertainment media.
Book Manuscripts in progress:
From Star Child To Star Wars: American Science (Fiction), Film, and Religion 1967-1977
Planet of the Apes as History: Cinema, Society, and Science Fiction
Manuscripts in Preparation:
‘From Sacred To Scientific: Epic Religion, Spectacular Science, and Charlton Heston’s 1970s Sci-Fi’. In submission with Science Fiction Film & Television.
''Somewhere between science and superstition': Religious Outrage, Horrific Science and The Exorcist' For submission to the Journal of Religion and Film
‘If She Can See It, She Can Be It: Biomedical Science and Women on Screen’. For submission to Public Understanding of Science.
May 2017 | 'Talking Apes, Talking Science: Science, Fiction, and the Movies', Pint of Science Festival 2017 (Edinburgh)
March 2017 | 'The Science and Documentary Filmmaking Toolkit' [plenary lecture], CPH:DOX* (Copenhagen Documentary Festival 2017, Denmark)
February 2017 | ''Somewhere between science and superstition': Religious Outrage, Horrific Science, and The Exorcist', Department of Theatre, Film, and TV Research Seminar (University of York)September 2016 | ‘From Star Child To Star Wars: American Science (Fiction), Film, and Religion’, CHSTM Research Seminar (University of Manchester)
October 2015 | ‘Playing God: Science, Religion, and Post-classical Hollywood’, Film, Television, and Media Research Seminar (University of East Anglia)
March 2015 | ‘From Star Child To Star Wars: American Science (Fiction), Film, and Religion’, Public Understanding of Science Lecture (London School of Economics)
February 2015 | ‘Escape from the Planet of the Apes, and Reproductive Rights’, Reproductive Dystopias (University of Cambridge)
November 2014 | ‘The Americanization of La Planete des Singes: Planet of the Apes, Science, and Religion’, Fiction Meets Science (Universitat Bremen, Germany)
June 2014 | ‘The Evolution of Planet of the Apes: Science, Religion, and Society’, Playing God: Science, Religion, and Media (Cornerhouse, Manchester)
November 2017 | 'Nature Strikes Back!: Popular Science, Environmental Science/fictions, and Eco-Activism', The 2nd International Conference on Anticipation (Senate House, London)
October 2017 | ''You're not a carer, you're a jailer': Inhuman Caregiving, Emotional Labour, and the Dehumanised Public Health Service in Humans', Care + Machines (Lincoln Institute, University of Manchester)
July 2017 | ''Somewhere between science and superstition': Religious Outrage, Horrific Science, and The Exorcist', International Congress for the History of Science and Technology - iCHST (University of Rio de Janeiro, Brazil)
July 2017 | 'Unsettling Scientific Stories: Fictional Futures and Sociological Speculation', British Society for the History of Science Annual Conference (University of York)
May 2017 | 'Unsettling Scientific Stories: Fictional Futures and Sociological Speculation', Narrating Science: The Power of Stories in the 21st Century (Toronto, Canada)
October 2016 | ''Somewhere between science and superstition': Religious Outrage, Horrific Science and The Exorcist', Gods and Heretics: The 2016 Film & History Conference (Milwaukee, WI, USA)
October 2016 | ‘It’s Grimm up North: Domestic Obscenity and Medical Salvation in In the Flesh’, Gothic North (Manchester Metropolitan University)
July 2016 | 'Moving Image Media, Science Fiction, and the Public Understanding of Science' [roundtable discussion], Science In Public 2016 (University of Kent).
June 2016 | 'Nature Strikes Back!: Cycles of Environmentally Conscious Science Fiction', The Science Fiction Research Association (SFRA) Conference 2016 (University of Liverpool)
June 2016 | 'If they can see it, they can be it: Science and Women on Screen Since 2000' [roundtable discussion], The Science Fiction Research Association (SFRA) Conference 2016 (University of Liverpool)
April 2015 | ‘It’s Grimm up North: Domestic Obscenity and Assimilation Anxieties in In the Flesh’, Mediating the North (University of Central Lancashire)
October 2014 | ‘From Sacred to Scientific: Charlton Heston’s Second Golden Age’, Golden Ages: The 2014 Film & History Conference (Madison, WI, USA)
November 2013 | ‘Destroying Landmarks/Destroying History: Historical Spaces in U.S. Science Fiction’, Making Movie$, The 2013 Film & History Conference (Madison, WI)
May 2012 | ‘Scott Pilgrim vs. the Multimodal Mash-up: Film as Participatory Narrative’ (co-authored with Dr R. Lyle Skains), Contemporary Screen Narratives (University of Nottingham)
- Chambers AC. The Evolution of Planet of the Apes: Science, Religion, and 1960s Cinema. Journal of Religion and Popular Culture 2017, 28(2-3), 107-122.
- Chambers AC, Elizabeth HJ. It’s Grimm Up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in BBC Three’s In the Flesh. In: Mazierska EH, ed. Heading North: The North of England in Film and Television. Palgrave, 2017, pp.193-211.
- Chambers AC. Please be a Good Boy: Challenging Perceptions of Paedophilia in Contemporary US Cinema. In: Gwynne J, ed. Transgression in Anglo-American Cinema: Gender, Sex and the Deviant Body. London: Wallflower Press, 2016.
- Kirby DA, Chambers AC, Macauley WR. What Entertainment can do for Science, and Vice Versa. Research Fortnight 2016, 22.
- Chambers AC. The Skriker: Global Warming, Eco-Fairytales, and Science on the Stage. The Guardian, 2015. Available at: https://www.theguardian.com/science/the-h-word/2015/jul/24/skriker-global-warming-eco-fairytales-science-stage.
- Chambers AC, Skains RL. Scott Pilgrim vs. the Multimodal Mash-up: Film as Participatory Narrative. Participations: International Journal of Audience & Reception Studies 2015, 12(1), 102-116.
- Garforth L, Chambers AC. Reading Futures: Science, Speculative Fiction, and Other Stories. In: Wald,P, ed. The Palgrave Handbook of Contemporary Literature and Science. Palgrave Macmillan, 2019. In Preparation.
- Kirby DA, Chambers AC. Playing God: religious influences on the depictions of science in mainstream movies. In: Nerlich B; Hartley S; Raman S; Smith A, ed. Science and the Politics of Openness: Here Be Monsters. Manchester: Manchester University Press, 2018, pp.341-368. In Press.
- Chambers AC. Movies and scientific accuracy. Microbiology Today 2017, 44(4), 191-192.