Dr Caleb Johnston
Lecturer in Human Geography
- Email: email@example.com
- Address: Address: Room: 2.37
University of Newcastle
Newcastle upon Tyne
Tel: 0191 208 3950
2010 Ph.D. University of British Columbia
2006 MA UBC, Geography
2004 BA (honours) UBC, Geography
Lecturer in Human Geography, Institute of Geography, University of Edinburgh 2013-16
Research Associate, School of Geographical and Earth Sciences, University of Glasgow 2011-13
Visiting Scholar, Center for Global Metropolitan Studies, University of California, Berkeley 2010-11
Member, Creative Practice Research Forum, Newcastle University
Steering committee member for the Glasgow Refugee, Asylum and Migration Network
Editorial board member for Environment and Planning D: Society and Space
Editor for Creative Interventions in Studies for Social Justice
2017 Playing games of chance in the Canadian North. Performing Urgency: Space, Performance and Politics. Nordic Geographers Meeting, Stockholm.
2017 Ethnographic performances and games of change in the decolonizing present. Keynote talk for Society and Space at the annual conference of the American Association of Geographers, Boston.
2017 Tlingipino Bingo: Performing Solidarity Across Indigenous and Filipino Immigrant Experiences of State Violence. Reimagining Creative Economy. University of Alberta, Calgary.
2017 Testimonial Theatre and the Geopolitics of Trauma and Empathy. University of Leeds.
2016 Performing precarity in Bagong Barrio. Annual Meeting of Institute of British Geographers (with IBG), London (presenter and convenor).
2016 Life-times and spaces of disposability in Bagong Barrio, Metro Manila. Social Geographies of Urban Abandonment. American Association of Geographers, San Francisco.
2016 Urban crisis: resistances, opportunities and co-optation. University of Edinburgh (convenor).
2015 Who saved the city? Exploring urban activisms in times of austerity in North America and Europe and Beyond. University of Edinburgh (convenor).
2015 Performance as transnational and scholarly inquiry: migrant labour and urban dispossession. Canadian Association of Geographers, Vancouver.
2014 Theatre, politics and the impossible ethic. Annual Meeting of Institute of British Geographers (with IBG). Keynote talk for the Participatory Geographies Research Group, London.
2014 Transnational affects in the space of theatre. Centre for the History of Emotions, University of London, Queen Mary, London.
2014 The political work of feelings. Migration and Intimate Life. Glasgow Refugee, Asylum and Migration Network, University of Glasgow, Glasgow.
2013 Testimony, theatre and ethics. Queen’s University, Department of Drama, Canada.
2013 Emotions on the move. New Frontiers of Geographical Knowledge and Practice? Annual Meeting of the Royal Geographical Society (with IBG), London.
2013 Circulating discourses of suffering across national contexts. Institutional Spaces of Pain, Suffering and Trauma. Emotional Geographies, Groningen.
2013 Circulating suffering: part two. Institutional Spaces of Pain, Suffering and Trauma [redux]. Association of American Geographers, Los Angeles.
Grants and Fellowships
2017 Newcastle University, Faculty Research Fund
2016 Yukon Government, Arts Fund
2016 Yukon Government, Culture Quest
2013 Economic and Social Research Council
2012 Royal Geographical Society (with IBG), Small Grants
2012 British Columbia Arts Council, Projects
2012 Jasmin Leila Award, Royal Geographical Society (with IBG)
2011 Social Science and Humanities Research Council, Postdoctoral Fellowship
2011 British Columbia Arts Council, Projects
2011 City of Vancouver, Cultural Grants Program
2010 British Columbia Arts Council, Projects
2010 City of Vancouver, Cultural Grants Program
2010 British Council, International Projects
2009 Shastri Indo-Canadian Institute, India Studies Fellowship
2009 Vancouver Foundation, Arts and Culture
2008 British Columbia Arts Council, Projects
2008 Vancouver Foundation, Health and Social Development
2008 City of Vancouver, Cultural Grants Program
2008 Canada Council for the Arts, Projects
2006 Social Science and Humanities Research Council, Doctoral Fellowship
2004 Social Sciences and Humanities Research Council, Masters Fellowship
Performing arts, politics, aesthetics, testimony, witnessing
Migration, precarious labour, transnational families
Globalising care, 'disposable' bodies, outsourcing
Subaltern urbanism, informalisation, India
Tlingipino Bingo 2016-17
This is a new theatre project developed in collaboration with Tlingit and Filipino theatre artists in the city of Whitehorse. The piece revolves around an actual bingo game, in which audience members participate as bingo players and storytellers. The performance provides the occasion for community storytelling and exchange, and serious play around issues of shared dispossession, and communication and miscommunication between Tlingit people and Filipino migrants in the Canadian North. The play premiered at Whitehorse’s 2016 Nuit Blanche Festival. Funded by Yukon Government of Canada.
Nanay: a testimonial play 2009-16
Nanay is a testimonial theatre project designed to engender public debate about Canada’s Live-In Caregiver Program, and directly addresses the experiences of Filipino domestic workers who come to Canada as migrant labourers. Nanay transforms very conventional qualitative interview transcripts into testimonial theatre, which is to say, our project is based entirely on verbatim monologues taken from interviews conducted over a 15 year period with domestic workers, their children and Canadian employers. Our overall objective in Nanay is to forge a more complex identification with both the plight of domestic workers, as well as that of middle-class families struggling to secure affordable care in Canada.The production premiered at Vancouver’s 2009 PuSh International Performing Arts Festival, and then toured to Berlin’s HAU1 Theatre as part of their Your Nanny Hates You! Festival. In 2012, we conducted a script reading with professional actors at the annual conference of the Royal Geographical Society (with IBG) in Edinburgh (2013) and Whitehorse (2014). We have also carried out two productions of the work in Metro Manila (2013; 2015). Funded by the ESRC, Social Sciences and Humanities Research Council, Canada Council for the Arts, British Columbia Arts Council, City of Vancouver, Koerner Foundation and Vancouver Foundation.
Tu Vois Ce Que Je veux Dire? [Do You See What I Mean?] 2013-14
This project invites spectators to experience the city in a radically new fashion, turning the routine of daily life into an extraordinary journey of heightened senses and transformed perceptions. Created by Lyon-based Projet In Situ, this piece of one-on-one theatre is a 2.5 hour blindfolded tour into the streets, storefronts and homes of Vancouver. It is a site for experiencing the tactile, felt geographies of the city. The project was presented at Vancouver's 2013 PuSh International Performing Arts Festival. A performance created by Projet In Situ. Funded by the British Columbia Arts Council, City of Vancouver, French Consulate, and Institute Frances.
City of Dreams 2011
This new theatre work explored Vancouver social histories, topographies and embedded urban memories. The central image of the work is a poetic map of Vancouver constructed from hundreds of found objects that were assembled during performance. This physical mapping of Vancouver was mirrored by a soundscape composed of recorded and archived audio materials, from environmental sounds, snatches of song to oral testimonies. City of Dreams premiered at the 2011 PuSh International Performing Arts Festival. Funded by British Columbia Arts Council, City of Vancouver, and British Council.
Counter Mapping 2011
This contemporary interdisciplinary exhibition brought together the work of 17 professional artists around the theme of counter mapping the city of Vancouver. This exhibition began with a question: if maps are the instruments of power, how might we produce and circulate a poetic, radical cartography? Working across disciplines, artists deployed a range of tactics in their rewriting of the urban landscape, utilizing mapping and surveillance technologies to constructive disruptive cartographies. We moved from tracking individual lines of inquiry through GPS to impersonating tour guides in offering alternative histories of the city. We traced maps to get lost in the city, to descend into and experiment with new ways of moving through the urban terrain. The exhibition included collaboration between cultural geographers from the University of British Columbia and visual artists at Simon Fraser University’s School for the Contemporary Arts. Counter Mapping premiered at the 2011 PuSh International Performing Arts Festival, and selected works toured to the University of Glasgow for an international conference entitled Excursions: telling stories and journeys. Funded by City of Vancouver and British Columbia Arts Council.
A Storied Sea 2009
This geo-audio-literary work was created for Vancouver’s Western Front as part of Intersections—a new music series that brought together writers and composers together to create site-specific commentaries informing particular geographic spaces in Vancouver. Created in partnership with Vancouver composer James Maxwell, the piece spliced environmental sounds and composed music for trombones with the recorded testimonies of David Fraser, whose family squatted on the Vancouver waterfront in the 1920s. A Storied Sea was performed in a guerilla street performance, concert and online forum. It was researched as a site exploring new ways of writing geographical knowledges, and for circulating sensory, felt geographies of the city.
Arts, Health and Seniors 2008-10
Funded by the Vancouver Coastal Health Authority, and bringing together a collaboration between UBC's Faculty of Nursing and the City of Vancouver, Arts, Health and Seniors looked to demonstrate how involvement in the arts can improve the health and well being of seniors experiencing physical, social, and sexual orientation barriers. Engaging 80 seniors in four different community centres over a three-year period, the project built new expertise between health workers, artists and funders in the area of chronic disease management. I spent two years working as project manager, researcher and one of eight site artists in AHS. Funded by Vancouver Coastal Health and City of Vancouver.
Practicing Democracy 2004-06
Created by Vancouver's Headlines Theatre for Living, Practicing Democracy was North America’s first deployment of August Boal’s model of Legislative Forum Theatre. Devised in collaboration with city planners and elected municipal councillors, the objective of this project was to use forum theatre to generate community-based law on issues related to homelessness in the City of Vancouver. We researched the project as a substantial effort to use a particular model of political theatre to generate creative solutions to what is now a familiar aspect of neo-liberal economic policy, namely, cuts to social services and welfare provision. Funded by Canada Council for the Arts, British Columbia Arts, and City of Vancouver.
GEO1015 Contemporary Human Geography of the UK
GEO2043 Key Methods for Human Geographers
GEO2100 Contested Geographies of New York City
GEO2110 Social Geographies
GEO2111 Doing Human Geography Research: Theory and Practice
GEO3099 Dissertation (Module Leader)
Completed PhD Students
Nico Stefanovics. (2016) The Making of a New Downtown: Urban Place-Making in HafenCity, Hamburg, Germany.
Current PhD Students
Christos Galavis. Hillwalkers and Homecomers: Walking as Belonging among Munro Baggers and Scots-Canadians in the Highlands and Islands of Scotland. Principal's Career Development Scholarship.
- Pratt G, Johnston C, Banta V. A Traveling Script: Labour Migration, Precarity and Performance. The Drama Review 2017, 61(2), 48-70.
- Johnston C. An Artful Civic Disruption. Studies in Social Justice 2017. Submitted.
- Pratt G, Johnston C. Crossing Oceans: Testimonial Theatre, Filipina Migrant Labor, Empathy, and Engagement. GeoHumanities 2017, 3(2), 279-291.
- Pratt G, Johnston C, Banta V. Filipina Migrant Stories and Trauma in the Transnational Field. Emotion, Space and Society 2017, (ePub ahead of Print).
- Pratt G, Johnston C, Banta V. Lifetimes of Disposability and Surplus Entrepreneurs in Bagong Barrio, Manila. Antipode 2017, 49(1), 169-192.
- Pratt G, Johnston C. Nanay (Mother): A Testimonial Play. In: Erin Hurley, ed. Once More with Feeling: Six Affecting Plays. Toronto: University of Toronto, 2014.
- Pratt G, Johnston C. Filipina Domestic Workers, Violent Insecurity, Testimonial Theatre and Transnational Ambivalence. Area 2014, 46(4), 358-360.
- Johnston C. Politics in the Informalizing Metropolis: Displacement and Uneasy Negotiations in Uncivil Ahmedabad. International Journal of Urban and Regional Research 2014, 38(2), 539-572.
- Johnston C, Lorimer H. Sensing the City. Cultural Geographies 2014, 21(4), 673-680.
- Johnston C, Bajrange D. Street Theatre as Democratic Politics in Ahmedabad. Antipode 2014, 46(2), 455-476.
- Johnston C, Pratt G. Taking Nanay to the Philippines: Transnational Circuits of Affect. In: Erin Hurley, ed. Theatres of Affect. Toronto: University of Toronto Press, 2014, pp.192-212.
- Johnston C. A Felt Geography. The Geographical Review 2013, 103(2), 153-161.
- Pratt G, Johnston C. Staging Testimony in Nanay. The Geographical Review 2013, 103(2), 288-303.
- Johnston C. Accommodation Politics. In: S Karogal, ed. Saath Saal-ki Baat (The Story of Sixty Years). Pune: Padma Gandha, 2012.
- Johnston C. The Political Art of Patience: Adivasi Resistance in Ahmedabad. Antipode 2012, 44(5), 1268-1286.
- Johnston C. The Political Art of Patience: Adivasi Resistance in Ahmedabad. Antipode 2012, 44(5), 1268-1286.
- Johnston C, Pratt G. Nanay (Mother): A Testimonial Play. Cultural Geographies 2010, 17(1), 123-133.
- Pratt G, Johnston C. Translating Research into Theatre: Nanay: A Testimonial Play. In: Julie Salverson, ed. Popular Political Theatre and Performance. University of Toronto Press, 2010.
- Pratt G, Johnston C. Translating Research into Theatre: Nanay: A Testimonial Play. BC Studies 2009, 163, 123-132.
- Pratt G, Johnston C. Putting Play to Work. In: A Tickell, E Sheppard, J Peck and T Barnes, ed. Politics and Practices in Economic Geography. London: Sage, 2007, pp.71-81.
- Pratt G, Johnston C. Turning Theatre into Law, and Other Spaces of Politics. Cultural Geographies 2007, 14(1), 92-113.
- Johnston C. Field Note: Ahmedabad, India. Women's Studies Quarterly 2006, 34.
- Johnson K, Pratt G, Johnston C. Filipinos Settle in the Canadian North: Unsettling a Gendered Frontier. Gender, Place and Culture 2017. Submitted.
- Johnston C, Pratt G. Tlingipino Bingo, settler colonialism and other futures. Environment and Planning D: Society and Space 2017, 35(6), 971-993.