BA (University of King's College), MA Classics (Dalhousie), PhD (Birmingham).
My primary research interests are Greek and Roman music, especially Greek harmonic theory; instruments and their place in the development of Greek musical science; music and Graeco-Roman society; the representation of musical instruments, expertise and performance in non-technical literature; musical learning and cultural memory in the Second Sophistic; and the reception of ancient Greek musical theory in later ages. I have published articles on musical aspects of Latin poetry and Greek philosophical texts, as well as a book entitled The Monochord in Ancient Greek Harmonic Science (Cambridge, 2010). I served on the founding executive committee of MOISA, an international society for the study of Greek and Roman music and its cultural heritage.
I am Degree Programme Director for Research Degrees in Classics and Ancient History. If you are considering studying for an MLitt, an MPhil or a PhD in Classics or Ancient History at Newcastle and have any queries please feel free to contact me.
My office hours in Semester 1 are:
Students may check my availability here. My office is Armstrong 1.24A.
I am unavailable on Mondays (my research day).
CAC1015: How Should I Live? An Introduction to Ancient Moral Philosophy (Semester 1)
CAC2001: Researching the Classics I (Semester 1)
CAC3058: Ancient Science in Ten Problems (Semester 2)
CAG1011: Intermediate Greek Language and Literature (Semester 1)
CAG1012: Intermediate Greek Language and Literature (Semester 2)
CAC8000: Research Skills and Dissertation Training
CAC8010: Approaches to Classics Research 2
As a classicist with a consuming interest in music, my research interests centre around the ways in which music was involved in Greek intellectual life and literary culture. This set of interests has led me to pursue questions about the related roles of instruments, diagrams, proofs and experiments in the development of scientific arguments on musical subjects in Greek antiquity; about the sometimes complicated literary reception of Greek musical culture in Latin poetry; about the rhetorical uses of the technical terminology of Greek musical theory in non-technical literature; and about the literary culture of scientific writing more broadly: its modes of persuasion; its criteria of truth; the literary uses of scientific discovery, proof, fable and anecdote.
In addition to the areas mentioned above, topics in ancient philosophy (particularly epistemology and ethics), the sciences (especially the exact sciences) in Greek and Roman antiquity, and Greek poetry (especially Hellenistic).