Popular Musics of the Hispanic and Lusophone Worlds
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Programme/programa/programa
Friday/viernes/sexta-feira, Saturday/sábado/sábado, Sunday/domingo/domingo
directions to the conference/cómo llegar/cómo chegar
Friday/viernes/sexta-feira July 14, 2006
9:00-11:00 Registration
11:00-13:00 Parallel Sessions
Identity (race, ethnicity, gender, sexuality, class etc.)
Jan Fairley (University of Liverpool) Women and Music in
Cuba: Daughters of Oshún, Yemayá or Anacaona?
Patricia Oliart (School of Modern Languages,
University of Newcastle) Modernising the Peruvian Huayno. Examples from Ayacucho
and Apurimac
Janet Sturman (University of Arizona) Travelling with the La
Orquesta de la Papaya: A Central American Response to Global, National and Local
Dynamics
María del Carmen Vergara de los Ríos, Mariana de Jesús
Vargas Mendoza, Guadalupe Marcela Burelo Toledo (Facultad de Música,
Universidad Autónoma de Tamaulipas, Centro Universitario Tampico-Madero
México) Luchando por Preservar la Identidad Tamaulipeca.
Panel: Músicas híbridas, procesos clónicos: La construcción de la música popular en España
Ruth Gil (Conservatorio Superior de Música de Aragón)
Tradición religiosa e innovación rítmica en las músicas
de la Semana Santa bajoaragonesa y sevillana.
Beatriz Pérez (Conservatorio Superior de Música de Aragón)
Show me your music, brother!, I wanna be like you. La implantación del
funk afroamericano a través de las bases militares USA en España.
Irene Sanmartin (Conservatorio Superior de Música de
Aragón) La escena del break dance en Zaragoza. Institucionalización
y apropiación local.
José Antonio González (Conservatorio Superior
de Música de Aragón) El folklore más allá de la
tradición. Procesos de modernización y globalización de
la tradición aragonesa
Héctor Fouce (Conservatorio Superior de Música
de Aragón) Spain is different? En busca del pop español
13:00-14:00 Lunch
14:00-15:30 Parallel Sessions
Diaspora, displacement, migration, transnationalism
Judith Cohen (York University, Toronto) Music and the construction
of the Three Cultures in Spain and Portugal: medievalism, myths and bits of
what may be reality
Victoria Elí Rodriguez and Marta Rodríguez
Cuervo (Universidad Complutense de Madrid) and Julio Garcia
Ruda (Universidad de Granada) Las aportaciones de los bereberes a la
diversidad musical del Al-Andalus. La dimensión melódica del repertorio
de los músicos semiprofesionales rifeños Imdyazen.
Indigenous and folk musics
Henry Stobart (Royal Holloway, University of London) The Indigenous
Voice?: Radio, festivals & provoking protest in the wayñu music of
northern Potosí, Bolivia.
Jane Florine (Chicago State University) Musical aesthetics
and Argentina's national folklore festival
Nancy Marella Sánchez (I.U.N.A and Universidad de Buenos
Aires) Músicas indígenas y el folclor.
Genre and/or style studies
Noriko Manabe (CUNY graduate centre) A Mulata's Memory: Musical
Mestizaje in the Characterization of Femme Fatales in Cuban Zarzuelas
Sergio Camacho ((International Centre
for Music Studies, University of Newcastle) Actuality and future of Zarzuela
in the 21st century
Ian Biddle (International Centre for Music Studies) Flemenco
and the rhetorics of body work
15:30-16:00 Refreshments
16:00-18:00 First Plenary: Salwa
El-Shawan Castelo Branco (Instituo de Etnomusicologia, Lisbon)
18:00-19:30 Dinner/Wine Reception
at the Civic Centre
20:00 Vamos event
Saturday/sábado/sábado 15 July 2006
9:00-11:00 Parallel Sessions
Identity (race, ethnicity, gender, sexuality, class etc.)
Maria Anastasio (Hofstra University) 1920s Spain: some considerations
on gender and popular music
Nuria Borrull (University of Limerick) ¡Que te den! Romance
and the postmodernist Ranchera
Frederick Moehn
(Stony Brook University) Pure Sex
Hazel Marsh, (Univerity of East Anglia)
Popular Music, Collective Memory and Political Change in Contemporary Venezuela
Indigenous and folk musics
Illa Carrillo Rodríguez
(Université de Paris I – Panthéon-Sorbonne / Institut d’esthétique
des arts contemporains, C.N.R.S.) From Ushuaia to La Quiaca:
León Gieco’s Project of Collection and Diffusion of Argentinean
Folkloric Music: A “Transculturating” Musical Proposal?
Maria Fernández-Toro (School of Modern Languages, University
of Newcastle) The Guarani cadence: How bilingual is Paraguayan song?
Sean Stroud
(Universidade de São Paulo) Marcus Pereira’s 'Música Popular
do Brasil': beyond folklore?
Global, national and local dynamics
Ana Felipa de Carvalho (Instituto de Etnomusicologia, Lisboa)
Bairro alto: the new face of the old neighbourhood
Richard Elliott (International
Centre for Music Studies, University of Newcastle) Y en eso llegó la
fidelidad: Latin American New Song as Event
Raquel Paraíso Tradición y continuidad en la
música de la Tierra Caliente del Balsas (México)
Erika Korowin (The University of Arizona) ¡Virgen santa,
mis gladiolas!: Salvador Chava Flores and Musical Discussions of Urban Life
and Development in Mexico City
11:00-11:30 Refreshments
11:30-13:00 Parallel Sessions
Mass media and modernity
Russo Moreira (Universidade Nova de Lisboa/ Faculdade de Ciências
Sociais e Humanas) Music, fascism and Mass Media: The Portuguese National Radio
broadcasting during the 30’s and 40’s.
Franciso Bethencourt y LLobet (International
Centre for Music Studies, University of Newcastle) What are we listening to:
Flamenco or Something Else? The Late-Modern Flamenco Guitar as Folk, Popular
and World Music hybrid idiom.
Tradition and Authenticity
Rolf Bäcker (Escola Superior de Música de Catalunya
(ESMUC)) El flamenco entre oralidad y escritura: reflexiones acerca de arcaicidad
y canonización en el discurso flamenco(lógico)
Javier González Martín (Universidad de Almería)
El flamenco entre la innovación y la tradición: Un sinuoso camino
entre arte y reflexión.
13:00-14:00 Lunch
14:00-16:00 Parallel Sessions
Genre and/or style studies
Thomas George Caracas Garcia (Miami University Oxford) Choro
and the Connections between Popular and Classical in Brazilian Music
Gerhard Steingress (Universidad de Sevilla) El género
andaluz y la escuela del baile agitanado en la París del romanticismo
(1833-1866). Un estudio histórico-empírico sobre la hibridación
transcultural en la constitución del flamenco como manifestación
artística.
Eleazar Torres (Conservatorio Nacional de Música Juan
José Landaeta, Venezuela) Estudiantinas Venezolanas: Orquestas de pulso
y púa
History, memory and nostalgia
Hector Fouce (SCAM) Intelectuales y música popular
en la transición española
Natalie Kirschstein (Harvard University) Así Fué:
Narrating, creating and contesting history in Uruguayan murga
Fernando Valerio Holguín (Colorado State University)
El orden de la música popular en la literatura dominicana
Global, national and local dynamics
Michael Shade (University of Brighton) Mestizaje and cultural
identity in contemporary Spanish popular music
David Atkinson (University
of Limerick) The politics of hybridity in contemporary music in Catalonia
Paul Attinello and Vanessa Knights (International Centre for
Music Studies and School of Modern Languages, University of Newcastle) Sexo
contra muerte: AIDS and Popular Hispanic Music
Silvia Bermudez
(University
of Califormia at Santa Barbara) "'Mi Casa No es Su Casa': Heterotopias
and Transnational Dislocations in Pedro Guerra,Joaquín Sabina, and Joan
Manuel Serrat
16:00-16:30 Bus to the SaGE Gateshead
16:30-17:30 Second Plenary: Timothy Mitchell (Texas A&M University).
18:30-19:45 Buffet Dinner at SaGE Gateshead
18:00 Vamos events
Sunday/domingo/domingo 16th July
9:00-11:00 Parallel Sessions
History, memory and nostalgia
Santiago Fouz-Hernández (University of Durham) Me cuesta
tanto olvidarte: Consuming the ‘movida’ in the 21st Century
Eduardo Viñuela (Universidad de Oviedo) Transformation
of the musical and audiovisual media context in Spain at the time of the political
transition
Jesús Soria Canarian popular music and Canarian Nationalism
Sandy Mcintyre ‘Call and response’: the limiting
discourse of race and difference in trinidad/tobago and the embodied capacity
of calypso for decentering notions of fixity
Cultures of resistance
Irna Priore (University of North Carolina at Greensboro) Borrowing
from All Sides: Caetano Veloso, Popular Music, and Politics in Brazil
Pablo Alabarces (University of Buenos Aires-National Council
for Scientific Research (CONICET)) Música Popular y Resistencia Cultural
en Argentina: una discusión en torno de los significados del rock y la
cumbia
JoAnne Hoffmann (Graduate Centre, CUNY) Funáná:
The Voice of Cape Verdean Independence and Its Changing Political Fortunes
Susana Sardo (Universidade de Aveiro, Portugal) “A minha
música é a minha língua” O protagonismo da música
na poscolonialidade de Goa
Genre and/or style studies
Luiz Otavio Corrêa As vanguardas e a música popular:
Um estudo histórico-comparativo do Jazz e da MPB nos anos 60.
Iván Iglesias (Universidad de Valladolid) Between official
propaganda and subversion:
jazz in spain during the fifties.
Teresa Freile (Universidad de Salamanca) Referencias culturales
de la música de cine en España.
11:00-11:30 Refreshments
11.30-13.00 Third Plenary David Treece (King's College, University of London)
15:00 Young Sinfonia event at SageGateshead
15:30 Check out
20:00 Vamos events
