British Shakespeare Association Biennial Conference 2005

Contacts | Community / Schools | Booking | Getting here | Accommodation

Programme : Panels - Seminars - Workshops

Panels

For conference venues please follow the link to see the map.

Day Listing | Alphabetical Listing

Day Listing


Friday 2nd September 2005

11.00am-12.30pm
Reading Shakespeare's Sonnets, Herschel Lecture Theatre 1
Women at the margins of Culture, Herschel LT2

2.00pm - 3.30pm
Stillness and motion on the early modern stage, Herschel LT1
convened by P.A. Skantze (Glasgow University)
Rematerializing Shakespeare: authority and representation on the early modern English stage, Herschel LT2


Saturday 3rd September 2005

9.30am-11.00am
Reading repertories, Herschel LT1
Shakespeare across Media and Cultures, Herschel LT2
Subjects and histories, Herschel LT3
chaired by Allyna Ward (Newcastle University)

11.30am – 1.00pm
Shakespeare and film in the Twentieth Century, Herschel LT1
Writing Action / Writing for Actors, Herschel LT2
Violence, masculinity and the state, Herschel LT3

2.00pm - 4.00pm
Shakespeare and the transition from Catholicism to Protestantism, Herschel LT1
chaired by Jennifer Richards (Newcastle University)
Women’s appropriations of Shakespeare, Herschel LT2
chaired by Mark Dooley (Teeside University)
Performances and audiences, Herschel LT3


Sunday 4th September 2005

9.30am-11.00am
Bears and fairies: Shakespeare and the invention of the non-human, Herschel LT1
convened by Lisa Hopkins (Sheffield Hallam University)
Eighteenth-century Shakespeare: stage and page, Herschel LT2
chaired by Michael Dobson

 

Alphabetical Listing

Bears and fairies: Shakespeare and the invention of the non-human
Eighteenth-century Shakespeare: stage and page
Performances and audiences
Reading repertories
Reading Shakespeare's Sonnets
Rematerializing Shakespeare: authority and representation on the early modern English stage
Shakespeare across Media and Cultures
Shakespeare and film in the Twentieth Century
Subjects and histories
Shakespeare and the transition from Catholicism to Protestantism
Stillness and motion on the early modern stage
Violence, masculinity and the state
Writing Action / Writing for Actors
Women’s appropriations of Shakespeare
Women at the margins of Culture

link to routledge website