I retired from my post at Newcastle University 31st July 2010 but have remained as variously a Guest Member of Staff and a part-time Strategic Research Advisor since then. I continue working on my research projects and having some involvement in extra-curricular music activities.
The quickest way to contact me is via my home email, please reconstitute this: vic dot gammon @ icloud dot com (no spaces).
I joined the International Centre for Music Studies at the University of Newcastle in September 2004 as Senior Lecturer in Folk and Traditional Music. I was previously Senior Lecturer at the University of Leeds where I managed the BA in Popular and World Musics. My interests in the vernacular musics of Britain and North America, in social history and my continuing activity as a performer form the basis of my teaching and research.
I have finished a lot of things off recently.
'How Good a Music Transcriber was Cecil Sharp?' and 'English Folk Song Collectors and the Idea of the Peasant' the latter (joint work with Arthur Knevett) have both recently been published. I have recently submitted an essay on 'The Street Ballad Singer in the Nineteenth Century' for a new book edited by Steve Roud and David Atkinson, probably due out in 2017.
The new CD I have been working on, Early Scottish Ragtime, (Fellside Records), was officially released on the 27th July 2016. This is an interesting project (a CD, insert and internet notes and an article to follow) which will draw attention to American tunes in British popular/traditional dance tune books in the eighteenth and nineteenth centuries. Details and extracts from the CD are at http://www.fellside.com/shop/fe-cd/early-scottish-ragtime/ . Presentations on the project were given with Sandra Kerr at the Whitby Festival and the Hartlepool Festival in 2016 (both session were a hoot) and a more formal paper will be given at a conference on aspects of ragtime at Huddersfield University in May 2017.
Critical response to the album has generally been very positive, just occasionally puzzled. On the radio Mike Harding called it 'a brilliant new album' and Genevieve Tudor remarked 'Fabulous, isn't it' after playing one of three tracks she aired. A writer in Living Tradition described it as an 'intriguing CD' and an internet reviewer wrote 'As I was expecting, Early Scottish Ragtime (CD) is amazing' and yet another wrote that the CD was 'full of tunes you wouldn't otherwise hear, the weird and the wonderful, in a fascinating hour of traditional music'. It is good to get such feedback.
I have just had an email from Routledge who are bringing out my book Desire Drink and Death in paperback. Good news, but it is still quite expensive at £34.99.
2015-16 was a busy time in addition to the recording project and getting projects finished. I contributed to a symposium at King's College, London (a part of their Music in London 1800-1850 project) in March (which was extremely interesting) and to another at Notre Dame University in June. I made a contribution to the English Fiddle Symposium at the end of April 2015 at The Sage, Gateshead, I helped organise the Traditional Song Forum meeting in Newcastle on the 9th May 2016, and had a trip to Italy, also in May. I did a mini-tour with Dearman, Gammon and Harrison and in August our regular performances at Whitby Folk Week. In October I went down to Leeds University to a research seminar and to see old friends and colleagues.
I went to Sussex, the university where I took my degrees, in January 2016 to assess an excellent PhD, and managed to combine the trip with three days of musical activity with old friends including the Copper Family and my old playing partner Will Duke, simply the best anglo-concertina player in the English style. On the basis of this trip we sorted out and did two workshops together at Whitby. I played with Will for about 17 years but have lived away from Sussex for 22 years, yet we still have that rare but wonderful empathy that some musicians can achieve. I hope we can do more playing together in the future. I lectured at the Vaughan Williams Memorial Library in April, to a very interested and informed audience and undertook no less than four different collaborations at the Whitby festival. Hartlepool Festival rounded off my year, other than local activities
I was back teaching at Newcastle 2015-16 - on a part-time basis. I was contacted in September 2015 to see if I could fill a gap in the teaching schedule, so I dusted down my module on 'The Musics of the Southern States' and taught it. It was very enjoyable - even after a five year gap. The module recruited an enthusiastic, interested and varied group of students. I enjoyed it greatly and was asked to repeat it this year, but eventually decided not to.
I created a new Academia.edu page back In January 2014 for a goodly part of my published work (most of that which is not currently in print in commercial books) to make it more easily available to students, colleagues and people interested. http://newcastle.academia.edu/VicGammon is the address. I am pleasantly surprised at the amount of interest that has been shown in my writings. For what such things are worth, I was recently informed that the downloads on my page put me in the top 1% of academics but now seems to hover between being in to top 2% and 4%. What has the world come to that we pay attention to these inanities!
I remain busy with academic
projects, I have pieces of work in progress at
present: they are available as presentations but not yet written up
('Barbara Allen: The Cultural Resilience of a Seventeenth Century Song' and
'The Night Visiting Song Revisited') These are good topics for
presentations should you want me to speak at your seminar or event - the
topics are current in my mind.
I have done well on the musical instrument front recently having acquired both a Sobell mandolin and a Deering tenor banjo, both outstanding instruments. I still keep up my anglo-concertina playing but am having something of a stringed instrument fixation at present.
So much for retirement!
Roles and Responsibilities
Member, Editorial Board, Folk Music Journal (1984 - present)
Member, Advisory Group, Traditional Song Forum
Degree Programme Director, BMus in Folk and Traditional Music (2005-2009)
Organiser, Research Forum, International Centre for Music Studies (2006-2009)
BA, MA, D Phil, PGCE (all University of Sussex)
Fellow of the Higher Education Academy (formerly ILTm)
Social History Society
English Folk Dance and Song Society
Traditional Song Forum
University and College Union (retired member)
Musicians Union (retired member)
British (particularly English) traditional song and instrumental music; North American traditional song and instrumental music; English venacular religious music; music social history; political song.
Performer of English traditional song and instrumental music. My main instruments are, anglo-concertina, melodeon, tenor banjo, mandolin and voice.
I have supervised masters and doctoral students in traditional music and music education related areas. Topics areas supervised include music in the nineteenth and early twentieth society, popular church music, the history of the tonic sol-fa movement, traditional song collecting and editing, traditional fiddle pedagogy, ballad studies, Tyneside song, improvisation in English traditional instrumental music, primary and secondary music pedagogy, bass guitar pedagogy, practical music assessment and creative work.
I was awarded the Gold Badge of the English Folk Dance and Song Society in 2011. The Gold Badge is 'awarded for unique or outstanding contributions to folk music' and is the highest honour that the Society bestows.
I have been frequently asked to referee for research grants.
I have been external examiner for various universities including Sheffield (master's courses) The Institute of Education (master's courses) and Goldsmiths College, University of London.
I have examined PhDs for Aberdeen, Edinburgh, Durham, Huddersfield, Northumbria, Sheffield, Liverpool, Leeds and Sussex universities.
I have been an external research superviser for Leeds Metropolitan University and Goldsmiths College.
I am asked to broadcast on national radio or television on average two or three times a year. I recently made substantial contributions to 'The Choir' (Radio 3) and 'The Singer Not The Song' (Radio 4). I recently worked on a BBC4 TV social history series 'Rude Brittania' and 'A Very British Murder'.
I have acted in an advisory capacity for a number of organisations and projects, including the Vaughan Williams Memorial Library and the AHRB-funded Carpenter project.
I have contributed to the DNB, the Garland Encyclopedia of World Music and the Oxford Reader's Companion to Dickens
I am an Adviser to the Traditional Song Forum