Newcastle University

Publications

Year: 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1982 1981

• Leahy S. '"Une vraie famille Benetton": Maternal metaphors of nation in Il y a longtemps que je t'aime - a response to Susan Hayward'. In: Higbee, W. and Leahy, S, ed. Studies in French Cinema: UK Perspectives 1985-2010. Bristol: Intellect, 2010, pp.153-165.
• Dauncey H. 'Le Vélo Pyrénéen et le Bulletin officiel du Véloce-Club béarnais : deux conceptions antagonistes du sport'. In: Tétart, P. and Villaret, S., ed. Les Voix du sport. La Presse sportive à la Belle époque. Musée national du sport/Editions Séguier-Atlantica, 2010, pp. 167-185.
• Dauncey H. 'Regulation of Television in France: Reality Programming and the Defense of French Values'. In: Baruh, L; Hoon Park, J, ed. Reel Politics: Reality Television as a Platform for Political Discourse. Newcastle: Cambridge Scholars Publishing, 2010, pp. 302-20.
• Moretti L. Kanazōshi Revisited: The Beginnings of Japanese Popular Literature in Print. Monumenta Nipponica 2010, 65(2), 297-356.
• Cross MF. A Conflicting but Corresponding Pair: reading Flora Tristan and George Sand. In: Harkness, N., Wright, J, ed. George Sand: Intertextualité et Polyphonie. Bern, Switzerland: Peter Lang, 2010, pp.171-88.
• Austin G. Against amnesia: representations of memory in Algerian cinema. Journal of African Cinemas 2010, 2(1), 27-35.
• Lähnemann H. Also do du ok. Andachtsanweisungen in den Medinger Handschriften. In: Holznagel, F-J; Brüggen, E, ed. Norm und Normativität. Tübingen: Niemeyer, 2010. In Press.
• Davies A. Ana Díez: Basque cinema, Gender and the Home(land). In: Julián Daniel Gutiérrez-Albilla and Parvati Nair, ed. Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Manchester: Manchester University Press, 2010. In Press.
• Morrissey J. “In the Ghetto”: Space, Race and Marginalization in French and British “Urban” Films La Haine and Bullet Boy. In: Mazdon, L., Wheatley, C, ed. Je t'aime...moi non plus: Franco British Cinematic Relations. New York; Oxford: Berghahn Books, 2010, pp.255-267.
• Yoshioka S. “Tonari no Totoro” ni miru “natsukashisa” to “nosutarujia” (Nostalgia and natsukashisa in My Neighbor Totoro). Kikan nihon shisoshi 2010, 77, 146-165.
• Cross MF. Becoming a Woman in the Age of Letters. French History 2010. ,24 2 292-293.
• Yu SQ. Camp Pleasure in an Era of Chinese Blockbusters: Internet Reception of Hero in Mainland China. In: Rawnsley G; Rawnsley M-Y, ed. Global Chinese Cinema: The Culture and Politics of 'Hero'. London: Routledge, 2010, pp. 135-151.
• Lopez N. Cine e Historia en la Clase de ELE: Propuesta Didáctica para Machuca y Las Trece Rosas. Espana: Ministerio de Educación, 2010. Revista RedELE.
• Cross MF. Contested Paternity. Constructing Families in Modern France; Fuchs, RG. French History 2010. ,24 1 119-120.
• Cross MF. Contested Paternity: Constructing Families in Modern France. French Studies 2010. ,64 1 125-126.
• Barrett D, Chen YY (trans.). 綁架本能的世界：影響所有決定的「超常刺激」理論 [Supernormal Stimuli: how primal urges overran their evolutionary purpose]. Taiwan:The EURASIAN Publishing Group ,2010.
• Lähnemann H. Die Erscheinungen Christi nach Ostern in Medinger Handschriften. In: van Knippenberg, CD; Herberichs, C; Kiening, C, ed. Medialität des Heils im späten Mittelalter. Chronos, 2010, pp. 189-202.
• Alcarazo N, Lopez N. Diseño y Explotación de las Simulaciones en la Clase de ELE: un Acercamiento Práctico. In: Actas de las III Jornadas Didácticas del Instituto Cervantes de Manchester. 2010, Manchester, UK: cervantas.es.
• Langer EJ, Chen YY (trans.). 逆時針 [Counterclockwise: Mindful Health and the Power of Possibility]. Taiwan:The EURASIAN Publishing Group,2010.
• Moretti L. 近世文学と『伊勢物語』―『伊勢物語』のもじりと通俗的文学への浸透. In:Yamamoto Tokurō , ed. Ise monogatari kyōju no tenkai『伊勢物語　享受の展開』.Tokyo:Chikurin,2010, pp. 342-352.
• Cross MF. Flora Tristan's Appeal for Fraternity. In: Cross, M.F, ed. Gender and Fraternal Orders in Europe 1300-2000. Basingstoke: Palgrave MacMillan, 2010, pp.223-243.
• Yoshioka S. From “Quicksand” to “Absolute Truth”: Changing View of “Reality” and Memory in the Plays of Harold Pinter. ICU Comparative Culture Series 2010, (42), 123-171.
• Lähnemann H. From print to manuscript: the case of a workshop in Stuttgart around 1475. In: MC Fischer and WA Kelly, ed. The Book in Germany. Edinburgh: Merchiston Publishing, 2010, pp. 17-34.
• Cross M, ed. Gender and Fraternal Orders in Europe, 1300-2000. Basingstoke, UK: Palgrave Macmillan, 2010.
• Leahy S. Hats, hotels, mayhem and Marx: Film, theatre and the cinematic collaborations of the Groupe Octobre, 1932-1936. Modern and Contemporary France 2010, 18(3), 357-374.
• Ludden T. Hearing the Silences in Thomas Bernhard's Ja: Difference, Narrative and Lyotard's Concept of the Differend. German Life and Letters 2010,63 1 6-19.
• Jones FR. In a Balkan Light: Richard Berengarten and the South Slav cultural space. In:Jope, N., Derrick, P.S. , ed. The Salt Companion to Richard Berengarten.Cambridge, UK:Salt,2010.
• Benneworth P, Dauncey H. International urban festivals as a catalyst for governance capacity building. Environment and Planning C: Government and Policy 2010, 28(6), 1083-1100.
• Jones FR. Introduction: views of Ljubljana. In:Kušar, M., ed. Ljubljana.Todmorden:Arc,2010, pp. 18-25.
• Dauncey H, Hare G. James Gordon Bennett, le Paris Herald et le sport (1887-1918) : influences américaines en France dans le sponsoring et l'internationalisation du sport. In: Attali, M, ed. Sports et Médias: Du XIXe siècle à nos jours. Biarritz: Atlantica, 2010, pp.239-258.
• Yoshioka S. Japanese Popular Texts and Representation of Anxiety and Discontinuity of History of Tokyo. Japan Studies: The Frontier 2010, 39-52.
• Yu SQ. Jet Li: Star Construction and Fan Discourse on the Internet. In: Farquhar M; Zhang Y, ed. Chinese Film Stars. London: Routledge, 2010, pp. 225-236.
• Yu SQ (trans.). Kung Fu Cult Masters: from Bruce Lee to Crouching Tiger - by Leon Hunt (London: Wallflower Press, 2003.). Beijing: Peking University Press, 2010.
• Dauncey H. L'exception culturelle. In: Chafer, T; Godin, E, ed. The End of the French Exception? Decline and Revival of the 'French Model'. New York: Macmillan, 2010, pp. 72-86.
• Morgan N. La gestion social: más que un gesto. Revista de asuntos políticos 2010, 6, 35-37.
• Penet JC. Laïque et indivisible? Secularisation and the Crisis of Republican identity in Contemporary France. In: Lebrun, B & Lovecy, J, ed. Une et indivisible? Plural Identities in Modern France. Frankfurt am Main: Peter Lang, 2010. In Press.
• Dauncey H. Lyon 68: The Games that Weren't, or the Intermediate Event-zone of a Non-Olympics. In: Brewster, K, ed. Reflections on Mexico '68. Chichester: Wiley-Blackwell, 2010, pp. 63-77.
• Moretti L, ed. Narrativity and fictionality in Edo-period prose literature [Special Issue of 'Japan Forum']. London:Routledge,2010.
• Moretti L. On the edge of narrative: towards a new view of the 17th-century popular prose in print.. Japan Forum 2010,21 3 325-345.
• Jones FR. Passing on the Hasanaginica: translator's afterword. Forum Bosnae 2010, 51, 278-288.
• Jones FR. Poetry translation, nationalism and the wars of the Yugoslav transition. The Translator 2010, 16(2), 223-253.
• Schwenter S, Waltereit R. Presupposition accommodation and language change. In: Davidse K; Vandelanotte L; Cuyckens H, ed. Subjectification, Intersubjectification, and Grammaticalization. Berlin: Mouton de Gruyter, 2010, pp. 75-102.
• Mackenzie I. Refining the V2 hypothesis for Old Spanish. Bulletin of Hispanic Studies 2010, 87(4), 379-396.
• Espelt-Bombin S. Review of Dantas, M.L.R, Black Townsmen: Urban Slavery and Freedom in the Eighteenth-Century Americas. Labour History Review 2010, 75(2).
• Lähnemann H. Schnipsel, Schleier, Textkombinatorik. Die Materialität der Medinger Orationalien. In: Schubert, M, ed. Materialität in der Editionswissenschaft. Berlin: de Gruyter, 2010, pp.347-358.
• Dauncey H, Le Guern P, ed. Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Aldershot:Ashgate,2010.
• Higbee W, Leahy S, ed. Studies in French Cinema: UK Perspectives 1985-2010. Bristol: Intellect, 2010.
• Pellatt V, Griffiths K, Wu S. Teaching and Testing Interpreting and Translating. Oxford: Peter Lang, 2010.
• Oliart P, Biffi V. Territorialidad Indigena, conservacion y desarrollo. Discursos sobre la biodiversidad en la Amazonia Peruana. Lima, Peru: Instituto del Bien Comun, 2010.
• Lähnemann H. The Maccabees as Role Models in the German Order. In: Signori, G, ed. Killing for the Faith: Dying for the Faith. The Books of Maccabees across the Centuries. 2010. In Press.
• Jones FR (trans). The sad ballad of the noble lady Hasan Aginica. Forum Bosnae 2010, 51, 270-275.
• Brine K, Ciletti E, Laehnemann H, ed. The Sword of Judith. Judith Studies Across the Disciplines. Cambridge, UK: Open Book Publishers, 2010.
• Dauncey H, Le Guern P. Top of the Pops, or Gilbert and Maritie Carpentier? Ways of doing and thinking popular music in Britain and France. In:Dauncey, H., Le Guern, P., ed. Stereo: Comparative perspectives on the Sociological Study of Popular Music in France and Britain.Aldershot:Ashgate,2010, pp. 1-10.
• Chen YY. Trainee Translators' Reflective Learning in Small Group Discussion. In:Pellatt, V., Griffiths, K., Wu, S.C., ed. Teaching and Testing Interpreting and Translating.Oxford:Peter Lang,2010, pp. 81-95.
• Cross MF. Travellers, Clio, Tales, Women and Society. Rogers, R; Thébaud, F (eds.). French History 2010. , 24(1), 128-129.
• Müller B. Zensurforschung: Paradigmen, Konzepte, Theorien. In: Rautenberg, U, ed. Buchwissenschaft in Deutschland: Ein Handbuch. Berlin: Walter De Gruyter, 2010, pp.321-360.