Staff Profiles

 

Dr Simon McKerrell is interested in the social impact of music and the creative industries. Current research focuses upon music in the creative economy in rural areas, and taking an interdisciplinary and mixed methods approach to the relationship between culture and policy. He is the author of Focus: Scottish Traditional Music (Routledge), and the Co-Editor of both Music as Multimodal Discourse: Media, Power and Protest (Bloomsbury) and Understanding Scotland Musically: Folk, Tradition, Modernity (Routledge). He has served as Head of Music, as Associate Dean for Research and Innovation in the Faculty of Humanities and Social Sciences and is currently Head of Postgraduate Studies in Music.

He has previously held positions at the Universities of Sheffield, Glasgow and the Royal Conservatoire of Scotland, and The National Piping Centre in Glasgow. He was Co-I on the EU funded international research project Critical Heritages (CoHERE): performing and representing Identities in Europe (2.5€ million), in 2014-15 he was PI for the AHRC project Understanding Scotland Musically (£68,000) and was concurrently a Co-Investigator for a Scottish Government Social Research project entitled Community Experiences of Sectarianism (£73,000).

In 2016, along with Dr Simon Keegan-Phipps he was the founding Co-Editor of The International Journal of Traditional Arts (www.tradartsjournal.org). He is currently the Chair of the British Forum for Ethnomusicology www.bfe.org.uk. In addition to this, Simon is an expert performer of Highland and Uilleann bagpiping, having recorded 11 commercial albums and taught throughout the world. He is also a slightly less useful tenor banjo player (but keen). 

Previous Positions

• Head of Postgraduate Studies in Music (2019-)
• Associate Dean for Research and Innovation, Faculty of Humanities and Social Sciences (2017-18)
• Head of Music, Newcastle University (June 2015-September 2017)
• Senior Lecturer in Music, Newcastle University (2015-2019)
• Lecturer in Music, Newcastle University (2010-2015)
• Knowledge Exchange Officer, Royal Conservatoire of Scotland (2009-2010)
• Research Assistant, Glasgow University (2008-2009)
• Lecturer in Ethnomusicology fixed-term, University of Sheffield (2008-2009)
• Head of Piping Studies for the BA (Scottish Music-Piping) degree, The National Piping Centre, Glasgow (2005-2008).
• Lecturer in Music (part-time), Royal Scottish Academy of Music and Drama, (2003-2008).

Qualifications

2012 Certificate of Advanced Studies in Academic Practice (HEA accredited)  

2005 PhD, St. Andrews University/RCS

2000 BA (Scottish Music) Royal Scottish Academy of Music and Drama

Fellow of the Higher Education Academy

Google Scholar: Click here.

Research Interests

Current research focuses upon music in the creative economy in rural areas, taking an interdisciplinary and mixed methods approach to the relationship between culture and policy. At present I am using ethnographic fieldwork and survey data to explore musical micro-enterprises and their social capital in the rural creative economy in Scotland. I maintain an interest in music and social conflict, specifically around sectarianism in Scotland and how music and culture perform and combat social conflict.

I was Co-I on the EU Horizon grant CoHere, which addressed an intensifying EU Crisis through a study of relations between identities and representations and performances of history, including music as intangible cultural heritage. I was also the lead academic on an AHRC postdoctoral fellowship with Dr Jasmine Hornabrook examining the rural creative economy in Argyll and Bute throughout 2018. In 2014-15 I completed an AHRC Early Career Fellowship entitled Understanding Scotland Musically and some of the research from this project has been published in a book for Routledge on Scottish traditional music employing various ethnomusicological, media and discourse analysis methods of analysis entitled Focus: Scottish Traditional Music.

I am the Arts & Cultures Theme lead for the Newcastle University Institute for Social Renewal

 which is an extremely productive and exciting cross-university role. My blog is available here

.

Other Expertise

Simon McKerrell is an expert performer of Highland-, Border- and Uilleann-pipes and has recorded 11 commercial albums. He has toured, taught and performed throughout the world and was a founding member of the band Back of the Moon, Rough Tides, The Sprit of Scotland Pipe Band (http://www.spiritofscotlandpipeband.com/) and La Banda Europa (www.labandaeuropa.com). For more information and discography see: Simon McKerrell's Discography. 

Postgraduate Supervision

I am interested in supervising research students working on any aspect of music and policy and the social impact of music.

I have served as an external doctoral examiner at the Universities of Ulster, Sheffield, KCL, Cardiff, Durham and UHI, and as the external undergraduate examiner at the University of the Highlands and Islands distance learning BA Applied Music and MA Music and the Environment programmes from 2012-2016.

Research Grants
2017-2018	AHRC Creative Economy Northern Bridge Postdoctoral Fellowship (as academic lead/mentor) £178,794
2016-2019	Co-I on major EU research grant on heritage, culture and Europeanization CoHere 2.5€ million
2014-2015	PI on AHRC Early Career Fellowship Understanding Scotland Musically, £68,682
2014-2015	Co-I for Scottish Government funded social research entitled ‘Community experiences of sectarianism’, c. £86,000, major policy report published and disseminated in 2015.
2017	John Renbourn Archive School Strategic Fund Grant (£3,709).
2016	Newcastle University Faculty Bid Preparation Fund, Transdisciplinary perspectives on music and efficacy in the prison context (£4,953)
2015-2016	Newcastle University Strategic Innovation Fund Grant, Musiwiki for Digital Open Educational Resources (£10,000)
2013	Newcastle University School Strategic Research Fund, Challenging Sectarianism Bid Preparation (£2,227)
2012	Newcastle University Faculty Research Grant, Hearing Sectarianism (£2,192)

External Roles and Peer Reviewing
2018-	Carnegie Trust Research Assessor
2018	British Forum for Ethnomusicology Annual Conference 2018 host/organiser
2014-2017	AHRC Peer-Review College & Peer Review Knowledge Transfer College 2014-2021
2014-2016	AHRC Panel Member for Collaborative Doctoral Awards
2014	Invited panel member HEFCE Open-Access consultation
2016-	International Editorial Advisory Board for Popular Musics Matter: Social, Political and Cultural Interventions series (Rowman and Littlefield)
2018-2021	Chair British Forum for Ethnomusicology www.bfe.org.uk
2016-2018	Executive Committee British Forum for Ethnomusicology
2016-	Co-Editor and founder of The International Journal of Traditional Arts (Gold Open Access—distributed open access via LOCKSS network)
2015-2019	Registered expert for the European Parliament’s Committee on Culture and Education (CULT)
2013	Panel member for Scots Trad Music Awards nominations and accepted an invitation to sit on the panel of adjudicators for the BBC Young Traditional Musician of the Year Award
various	Peer Reviewer for the following journals: Popular Music, Popular Music and Society, Critical Discourse Studies, Social Semiotics, Ethnomusicology, Ethnomusicology Forum, Ethnomusicology Ireland, Scottish Music Review, Participations, Radical Musicology, Journal of Open Cultural Studies

Simon McKerrell has interests in open educational resources and has been pursuing a number of open, online educational initiatives at Newcastle University including the open wiki for the course Issues in Popular Music Culture, assisted by Dr Matthew Ord.

Key areas of teaching: music and culture, sociolog(ies) of music, ethnomusicology, Scottish music, with a strong interest in blended and distance learning.

 

University Roles and Responsibilities

 

• Head of Postgraduate Studies in Music.

• Degree Programme Director for Masters in Music.

• Associate Dean for Research & Innovation, Faculty of Humanities and Social Sciences, Newcastle University (2017-18)

• Arts and Cultures Theme Champion for The Newcastle University Institute for Social Renewal (HASS Faculty role)

• Head of Music, Newcastle University

• Independent Chair for doctoral examinations and external examiner for various PhDs around the UK

• Member of University-wide Alcohol Awareness Committee

• Chair of Board of Examiners in Music (2015-2017)

• Degree Programme Director (2012-13) for the BMus Folk and Traditional Music degree

• Web Editor in Music 2011-2013

• McKerrell S, Pfeiffer K. On the relationship between performance and intangible cultural heritage. In: Ullrich Kockel; Cristina Clopot; Baiba Tjarve; Máiréad Nic Craith, ed. Heritage and Festivals in Europe: Performing Identities. London & New York: Routledge, 2019, pp.18-28.
• McKerrell S. Sound Structure as political structure in the European folk festival orchestra La Banda Europa. In: Ullrich Kockel; Cristina Clopot; Baiba Tjarve; Máiréad Nic Craith, ed. Heritage and Festivals in Europe: Performing Identities. London & New York: Routledge, 2019.
• McKerrell S, Hornabrook J. Traditional Music and the Rural Creative Economy in Argyll & Bute, Mapping Report, 2018. Newcastle upon Tyne, UK: Newcastle University, 2018.
• McKerrell S. Traditional music and cultural sustainability in Scotland. In: McKerrell S; West G, ed. Understanding Scotland Musically: Folk, Tradition and Policy. Farnham, Surrey: Ashgate, 2018, pp.17-29.
• McKerrell S, West G, ed. Understanding Scotland Musically: Folk, Tradition and Policy. Farnham, Surrey: Ashgate, 2018.
• McKerrell S, West G. 'Understanding Scotland Musically'. In: McKerrell, S; West, G, ed. Understanding Scotland Musically: Folk Tradition and Policy. Abingdon, Oxon & New York: Routledge, 2018, pp.1-14.
• McKerrell S, Way L. Understanding music as multimodal discourse. In: Way, LCS and McKerrell, S, ed. Music as Multimodal Discourse: Semiotics, Power and Protest. London & New York: Bloomsbury Academic, 2017, pp.1-20.
• McKerrell S. Middle Eight: Social Constructionism in Music Studies. Popular Music 2016, 35(3), 425-428.
• Way L, McKerrell S, ed. Music as Multimodal Discourse: Semiotics, Power and Protest. London & New York: Bloomsbury, 2017.
• McKerrell S. Focus: Scottish Traditional Music. New York & London: Routledge, 2016.
• McKerrell S. Social distance and the multimodal construction of the Other in sectarian song. Social Semiotics 2015, 25(4), 614-632.
• Goodall K, McKerrell S, Markey J, Millar S, Richardson M. Sectarianism in Scotland: A ‘West of Scotland’ Problem, a Patchwork or a Cobweb?. Scottish Affairs 2015, 24(3), 288-307.
• Goodall K, Hopkins P, McKerrell S, Markey J, Millar S, Richardson J, Richardson M. Community experiences of sectarianism. Edinburgh: Scottish Government Social Research, 2015. Social Research series.
• McKerrell S. Traditional Arts and the State: the Scottish case. Cultural Trends 2014, 23(3), 159-168.
• McKerrell S. Scotland: Modern and contemporary performance practice. In: Sturman J, ed. The SAGE International Encyclopedia of Music and Culture. Thousand Oaks, California: SAGE Publications, Inc, 2019.
• McKerrell S. Scotland: Music in history, culture and geography. In: Sturman J, ed. The SAGE International Encyclopedia of Music and Culture. Thousand Oaks, California: SAGE Publications, Inc, 2019.
• McKerrell S. Hearing sectarianism: understanding Scottish sectarianism as song. Critical Discourse Studies 2012, 9(4), 363-374.
• McKerrell S. An ethnography of hearing: somaesthetic hearing in traditional music. In: Flath, B., Pirchner, A., Pölzl, E., Sackl, S, ed. The Body Is The Message. Graz, Austria: Grazer Universitätsverlag Leykam, 2012, pp.76-89.
• McKerrell S. The Woodilee Collection of Traditional Music: Original Scottish and Irish Tunes and Airs for Bagpipe, Uilleann pipes, Fiddle, Banjo, Flute, Whistle, Accordion and Other Instruments. Kirkintilloch: Woodilee Music, 2019.
• McKerrell S. Live at the King's Hall. UPC: 5055489229119: Digital CD release, 2012. Digital CD.
• McKerrell S. Sound Performing: Sound Aesthetics among Competitive Pipers. International Review of the Aesthetics and Sociology of Music 2011, 42(1), 165-187.
• McKerrell S. Bagpipes: A National Collection of a national Instrument, Hugh Cheape, Edinburgh: National Museums of Scotland, 2008 [Review]. Ethnomusicology 2011, 55(3), 508-511.
• McKerrell S, O'Neill P, Reid J. The Friday Night Sessions - Traditional Music From Glasgow. Glasgow, UK: Footstompin Records, 2011. CD.
• McKerrell S. Modern Scottish Bands (1970-1990): Cash as Authenticity. Scottish Music Review 2011, 2(1).
• McKerrell S. The Concept of Mode in Scottish Bagpipe Music. In: Dickson, J, ed. The Highland Bagpipe: Music, History, Tradition. Farnham: Ashgate, 2009, pp.279-300.
• McKerrell S. Scottish Fiddle Music. In: Vallely, F, ed. Companion to Irish Traditional Music. Cork: Cork University Press, 2011, pp.603-605.
• McKerrell S. Scotland: Scottish Song. In: The Companion to Irish Traditional Music. Cork: Cork University Press, 2011, pp.595-595.
• McKerrell S. 2 tracks for compilation album 'On the Day'. California, USA: John MacDonald, 2011. CD.
• McKerrell S. 'Balkan and Roma Musics'. Classroom Music Magazine 2009, (33).
• McKerrell S. The Best of Piping Live, recital series 2006/07. Glasgow: The National Piping Centre, 2008. CD.
• McKerrell S, MacDonald F. The McKerrell-MacDonald Collection of Bagpipe Music. . Glasgow: Privately Published, 2007.
• Malcolm J. Tam O'Shanter. Perth: Beltane Records, 2005. CD.
• Douglas B. Angels from the Ashes. Aberdeen: Ridge Records, 2004. CD.
• McKerrell S, MacDonald F, Gibb C. Highland Games. Portree: Macmeanma Records, 2004. Audio CD/MP3.
• Daquin L-C. Les Douze Noëls. Linn Records: Glasgow, 2004. CD.
• Frame G, Napier F, Napier H, McKerrell S. Fortune's Road. Edinburgh: Footstompin Records, 2003. CD.
• Malcolm J. Home. Perth: Belatane Records, 2002. CD.
• Frame G, Napier F, Napier H, McKerrell S. Gillian Frame and Back of the Moon. . Edinburgh: Footstompin Records, 2001.
• McKerrell S. Scottish competition bagpipe performance: sound, mode and aesthetics [PhD Thesis]. St Andrews University/Royal Conservatoire of Scotland, 2005.