School of Modern Languages

Staff Profiles

Dr Gillian Jein

Senior Lecturer in French (Urban Humanities)


I joined Newcastle University as Senior Lecturer in French Studies in September 2018.

My work is in the field of the Urban Humanities and is mainly concerned with modern and contemporary French cultural production. The research seeks to tease out the interrelations between space, visual culture and power, and to map the aesthetics and politics of how human beings make and unmake meaningful places in which to live. 

My current project, ‘Inventing Greater Paris: Visual Culture, Regeneration and the Right to the Global City’, examines the intersections of visual culture and regeneration in the context of the Grand Paris programme. I am working with artists and organisations in Seine-Saint-Denis to understand their role and experience of regeneration in the suburbs, and developing a monograph which considers the use of narratives and practices of 'creativity' in this context. This work brings visual works and participant interviews into dialogue with policy documents and media discourses that all attest to the centrality of 'image making' as key to the urban habitus, attempting to move beyond concepts of 'branding' and to problematise in context the critical impasse of the artist as 'gentrifier'. This project has been awarded an AHRC Leadership Fellowship Grant.


Interested in working at the juncture of theory and practice, I've also worked alongside visual artists on creative projects exploring issues such as surveillance, the digital gaze and violence in contemporary society. 


I write on street art and have published a monograph on urban travel writing in French, Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851–1986 (London: Anthem Press, 2016). This book examines narrative practices of urban modernity and mobility through the travel writing of lesser-known as well as canonical French authors including Paul Morand, Jean-Paul Sartre, Georges Perec and Jean Baudrillard.


Since 2011, I have been book reviews editor and co-editor of the Irish Journal of French Studies.



  • PhD in French Studies, Trinity College, Dublin. Supervised by Prof. David Scott and fully funded by the TCD Ussher Fellowship.
  • Diplôme d’études approfondies (DEA), Université Sorbonne Nouvelle—Paris III. Supervised by Philippe Hamon. Pensionnaire at the École Normale Supérieure, rue d’Ulm, Paris.
  • B.A. Two Subject Moderatership in French & History, Trinity College, Dublin. Funded by the Drogheda Credit Union Scholarship.
  • Fellow of the Higher Education Academy.


Previous Positions

Before coming to Newcastle in 2018, I was lecturer and senior lecturer at Bangor University in North Wales from 2012. I also served as Director of Graduate Studies in the School of Modern Languages and Cultures at Bangor from 2016–2018. Prior to Bangor, I worked on fixed-term contracts at Mary Immaculate College, University of Limerick (2010–2012) and the University of Stirling (2009–2010).


A researcher in the Urban Humanities, I work on French urban cultures of the modern and contemporary period. 


My current project examines the role played by image-making and visual culture in the transformation of the Paris suburbs under the onus of the 'Grand Paris' programme.  I am working with artists and organisations in Seine-Saint-Denis and exploring the politics of aesthetics evident in the emergent tensions between state-led 'place-making' processes and socially-engaged artistic practices. 

In 2018, I was awarded an AHRC Leadership Fellows grant for this project entitled, ‘Inventing Greater Paris: Visual Culture, Regeneration and the Right to the Global City’. The bid was developed as a result of an earlier project ‘Visualizing Everyday Life in Transnational Paris’ (July 2013–July 2014), and subsequent publications, papers and interviews exploring the cultural politics of street art, urban painting, photography and architecture.


Externally Funded Research / Awards


  • 2018–2019 — PI on 'Inventing Greater Paris: Visual Culture, Regeneration and the Right to the City', AHRC Early Career Leadership Fellows Grant.
  • 2015–2017 — Principle Investigator on generative digital art project, ‘Veillance’.
  • 2016–2017 — Principle Investigator on ‘The Portable Ocean’.
  • 2016 — Welsh Crucible Participant.
  • 2013 — British Academy & MHRA Small Grant for project ‘Visualising Everyday Life: Tactics of Representation in Transnational Paris’.
  • 2013 — Invited Member of AHRC-NWO funded research network, Visual Culture and Interruption in Global Cities.
  • 2010 — SEED funding for field research on parkour in Paris & London. Awarded by Mary Immaculate College, University of Limerick.
  • 2010 — Scholarship: Stage en langue, culture et société québécoises. Awarded by the Ministère des Relations internationales (MRI) of Québec.
  • 2004–2007 — Ussher Research Fellowship. Awarded by Trinity College, Dublin.
  • 2002 — Mc Cracken Fellowship. Awarded by New York University.
  • 2001–2002 — Pensionnaire at the École Normale Supérieure, Ulm.
  • 1999 — Dunbar Memorial Prize for History.
  • 1997–2001 — Credit Union Scholarship to attend university.


Conference Organisation

  • 2017: Organiser of ASMCF [Association for the Study of Modern and Contemporary France] Annual Conference. 7–9 September at Bangor University. Along with colleagues in French Studies, I co-organised this major Association’s annual conference, which explored the theme of ‘Work and Play’. I also organised two panels, ‘Work & Play in the banlieues’, which dealt with my research area as part of this conference. (Appendix 20)
  • 2014: Organiser of ‘City Margins, City Memories’, Institute of Modern Languages Research, Senate House, London, 7–8 April 2014. This international, interdisciplinary conference was organised in collaboration with colleagues from SMLC and the School of Philosophy and Religion at Bangor University. Both keynote speakers, Prof. Bill Marshall (French Studies, Stirling University) and Prof. Hugh Campbell (Dean of Architecture, UCD), were research colleagues of mine. (Appendix 29)
  • 2007: Organiser of ‘Dislocation’, Postgraduate Research Conference held at Trinity College, Dublin, 23 March 2007. Organised along with peers in the department of French at Trinity College, Dublin.

Invited Talks

  • Keynote Speaker. Jein, G. 'Globalism is Ordinary' at 'Mobilities and Moorings: Renegotiating Spaces and Identities in modern and contemporary French and Francophone Culture', Postgraduate Conference, The Graduate School, Queen's University Belfast, 30–31 May 2019.
  • Invited Talk: Cities and Modern Languages seminar at the University of Bristol. 15 May 2019.
  • 19 April 2016: Jein, G. ‘Black Mirror: Digital Culture and Gentrification in Pantin’. Invited paper delivered as part of the symposium ‘Paris Past and Present: Liquid Spaces, Contested Spaces’ held at the School of Advanced Study, Senate House as part of the Cities@SAS initiative and in collaboration with the University of London Institute in Paris.
  • 19 January 2017: Jein, G. ‘Reimagining the City’. Presentation and Facilitation of discussion on Ash Amin and Nigel Thrift’s work in urban cultural geography. Session given at the ‘Cities in Theory’ reading group at the School of Advanced Study, Senate House, London.
  • 27 February 2018: ‘Face Politics & Street Art’. Paper to be given at the Research Cluster ‘The Politics of Culture and Memory’ at the University of Bath.
  • 02 May 2018: ‘Decelerating Transnational Space: Writing Movement in the Global City’. Paper to be delivered as part of the Centre for Transnational Studies seminar series at the University of Southampton.

Presentations at Conferences:

  • Jein, G. ‘Inventing Greater Paris? Playing with Architecture in the Banlieues’, at ASMCF conference, Bangor University, 8 September 2017.
  • Jein, G. ‘(De)Facing the Suburbs: Street Art and the Politics of Spatial Affect in the Paris Banlieues’. Seminar paper at SMLC research forum, Bangor University, December 2015.
  • Jein, G. ‘Decelerating Travel: Endotic Space and Transnational Paris in Leïla Sebbar’s Métro Instantanés’ at Borders & Crossings/Seuils et Traverses Conference, Liverpool Hope University, 22 July 2013.
  • Jein, G. ‘The Transnational Everyday? Decelerating Space in the récit urbain’ at the XIV annual ADEFFI conference, NUI Galway, 20 October 2012.
  • Jein, G. ‘(De)facing the Wall: JR’s 28 millimètres’ at the XIII annual ADEFFI conference (Association d’Etudes française et francophones d’Irlande), Couvent des Oblats, Aix-en-Provence, 21 October 2011.

Research Affiliations

  • Co-Editor Irish Journal of French Studies.
  • External member and co-founder of the Irish Centre for Transnational Studies.
  • Member of the Executive Committee, Association des études françaises et francophones d’Irlande (ADEFFI)



    • Jein, G. Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851–1986 (London: Anthem Press, 2016)

    Edited Volume:

    • Jein, Gillian, Daisy Connon and Greg Kerr (eds), Dislocation in French and Francophone Literature and Art: Strategies of Representation (Lampeter: The Edwin Mellen Press, 2009)

    Journal Special Issue:

    • Jein, Gillian, Laura Rorato and Anna Saunders (eds), ‘City Margins, City Memories’, Journal of Contemporary European Studies, 25.4 (2017)

    Peer-Reviewed Articles & Book Chapters:

    • Jein, Gillian, ‘Urban Dystopias’, in Anna-Louise Milne and Russell Williams (eds.), Contemporary Fiction in French, Cambridge: Cambridge University Press, 2019. (Forthcoming)
    • Jein, Gillian, Laura Rorato and Anna Saunders, ‘Introduction: City Margins, City Memories’, Journal of Contemporary European Studies, 25.4 (2017), 405–11.
    • Jein, G. ‘Suburbia Interrupted: Street Art and the Politics of Urban Renewal in the Paris Banlieues’, in Christoph Lindner and Shirley Jordan (eds.) Cities Interrupted: Visual Culture and Urban Space. London: Bloomsbury, 2016, pp. 87–104
    • Jein, G. ‘From Legislative to Interpretive Modes of Travel: Space, Ethics and Literary Form in Baudrillard’s America’, in Charles Forsdick, Ludmilla Kostova and Corinne Fowler (eds.), Travel and Ethics: Theory and Practice. London: Routledge, 2014, pp. 31–51.
    • Jein, G. ‘(De)Facing the Wall: Traditions, Transactions and Transgressions of Street Art’, Irish Journal of French Studies, 12 (2012), 83–111.
    • Jein, G. ‘Dislocating Travel: New York as anti-domus in Simone de Beauvoir’s Amérique au jour le jour’ in Gillian Jein, Greg Kerr and Daisy Connon (eds.), Dislocation in French and Francophone Literature and Art: Strategies of Representation. Lampeter: The Edwin Mellen Press, 2009, pp. 33–52.
    • Jein, G. ‘Tracing H/histories: Memory, Space and Identity in Georges Perec’s Récits d’Ellis Island: Histoires d’errance et d’espoir, UCD History Review, 15 (2005) 87–98.


Over the academic session 2019-2020 I will teach on the following modules:

Undergraduate Culture Modules:

  • FRE4017: Du Surréalisme au Street Art (Course Coordinator)
  • FRE2009: Paris (Unit 2: Marginalité)

Undergraduate Language Teaching:

  • Level D: FRE4081
  • Level D: FRE4082