Module Catalogue 2024/25

MUS2041 : Composing for Voices and Instruments (Inactive)

MUS2041 : Composing for Voices and Instruments (Inactive)

  • Inactive for Year: 2024/25
  • Module Leader(s): Dr Bennett Hogg
  • Teaching Assistant: Mr James Clay, Dr Jorge Boehringer
  • Owning School: Arts & Cultures
  • Teaching Location: Newcastle City Campus
Semesters

Your programme is made up of credits, the total differs on programme to programme.

Semester 1 Credit Value: 10
Semester 2 Credit Value: 10
ECTS Credits: 10.0
European Credit Transfer System
Pre-requisite

Modules you must have done previously to study this module

Code Title
MUS1097Creative Projects
Pre Requisite Comment

Students wishing to take this module must have passed MUS1097 at stage 1, or if entering university at stage 2 be able to demonstrate prior learning.

Co-Requisite

Modules you need to take at the same time

Co Requisite Comment

N/A

Aims

To explore the craft of musical composition through practical engagement with a range of methods and techniques selected from a plurality of repertoires. The primary mode of engagement will require confidence and skill in music notation.

To further explore compositional approaches using, but not restricted to, music notation.

To develop individual creativity.

To promote active engagement with a variety of creative approaches and styles with the aim that students begin to find their own voice.

To increase the knowledge of contemporary and later-20th century musics and musical practices across a range of styles and techniques.

To lay further foundations for compositional study.

To strengthen skills in music notation.

Outline Of Syllabus

This module will help you engage with a range of current techniques of composition, combining theoretical understanding with practical application. Lectures and workshops introduce or develop approaches. Small group seminars may include looking at work-in-progress, undertaking practical exercises, discussing repertoire and conceptual ideas particular to each stage of the module. Where possible completed assignments will be played or sung at the class by the students themselves. The use of Sibelius software will be required for at least some parts of the module.

Models and paradigms are taken from contemporary classical and world musics. Parts of the module may also explore site-specific projects, Covid-19 restrictions permitting, and more theatrical presentation of work. There will also be opportunities for creative collaborations.

The module will not include pop song-writing, which is included elsewhere in the curriculum, but is open to input of materials from outside of the normal limits of the Western Art Music (Classical) tradition.

Learning Outcomes

Intended Knowledge Outcomes

Understanding of a range of current techniques and approaches to composition

Understanding of the technical determinants of a range of compositional styles and approaches

Enhanced awareness of contemporary and other relevant repertoire

Awareness of the role of elements such as theatrical presentation or site-specificity in the production of engaging new music, grounded in the Western Art Music tradition, but extending and enriching it with ideas and approaches from outside of the tradition.

Intended Skill Outcomes

Ability to apply a selected, yet varied range of creative techniques

Strengthened ability to write idiomatically and appropriately for a range of forces

Competence in music notation and score layout according to established convention

Technical expertise equipping the students for compositional study at the final stage of their programme

Teaching Methods

Teaching Activities
Category Activity Number Length Student Hours Comment
Guided Independent StudyAssessment preparation and completion321:0032:00work on composition submissions and/or performances for assessment
Scheduled Learning And Teaching ActivitiesLecture42:008:00lectures on techniques and repertoire - PIP
Scheduled Learning And Teaching ActivitiesSmall group teaching31:003:00Tutorials on final project after Easter Vacation
Scheduled Learning And Teaching ActivitiesSmall group teaching111:3016:30seminars looking at work in progress or working through practical challenges - PIP
Structured Guided LearningStructured research and reading activities202:0040:00weekly recommended listening and some set readings
Guided Independent StudyProject work224:0088:00independent/small group work
Scheduled Learning And Teaching ActivitiesWorkshops43:0012:00workshops on practical aspects of the projects - PIP
Scheduled Learning And Teaching ActivitiesDrop-in/surgery10:300:30surgery time available online (email/Canvas) - PIP
Total200:00
Teaching Rationale And Relationship

Lectures and workshops introduce, outline, or enrich the projects. Seminars, held in small groups, monitor students’ understanding and progress, providing opportunities for self- and mutual assessment of progress. Listening - and occasional readings - enrich student musical horizons and suggest solutions to ongoing creative challenges. After the Easter vacation students will see designated supervisors for their final projects on a weekly basis.

Reading Lists

Assessment Methods

The format of resits will be determined by the Board of Examiners

Other Assessment
Description Semester When Set Percentage Comment
Portfolio1A50Composition Portfolio (notated scores, written assignment)
Portfolio2A50Composition Portfolio (notated scores, written assignment)
Assessment Rationale And Relationship

Portfolios demonstrate attainment of technical and aesthetic development through creative outputs.

Timetable

Past Exam Papers

General Notes

n/a

Welcome to Newcastle University Module Catalogue

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Disclaimer

The information contained within the Module Catalogue relates to the 2024 academic year.

In accordance with University Terms and Conditions, the University makes all reasonable efforts to deliver the modules as described.

Modules may be amended on an annual basis to take account of changing staff expertise, developments in the discipline, the requirements of external bodies and partners, and student feedback. Module information for the 2025/26 entry will be published here in early-April 2025. Queries about information in the Module Catalogue should in the first instance be addressed to your School Office.