Semester 2 Credit Value: | 20 |
ECTS Credits: | 10.0 |
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The aim of this module is to analyse how Ann Radcliffe’s concept of the ‘explained supernatural’, and its debt to Edmund Burke’s philosophy of the sublime, shaped the evolution of fiction between the late eighteenth and late nineteenth centuries. Students will develop knowledge of a range of canonical and non-canonical texts, including examples of literature written by authors whose engagement with the supernatural is less well-known. We will focus particularly on the process through which Burke and Radcliffe's theory of ‘terror’ illuminates contemporary anxieties surrounding gender, class, race and nationhood, and examine how these fears were transformed throughout the eighteenth-century, Romantic and Victorian eras.
Students will gain a thorough knowledge of the historical and cultural contexts which inspired the rise of the supernatural in fiction. They will also combine this knowledge with some contemporary philosophies of the human mind, in order to interpret supernatural entities as manifestations of tyranny, repressed desire, and fear of ‘the Other’. We will connect these historical and cultural changes with formal and generic developments in the literature of the period, paying particular attention to the way that Victorian writers re-imagined tropes such as the natural landscape, anti-hero, and angel/whore dichotomy for a new age. The module will culminate by questioning the extent to which the sublime and ‘explained supernatural’ not only uncover cultural anxieties, but also promote education, reform and the toleration of difference as their most powerful remedy.
The syllabus comprises a range of genres, including poetry, novels, and short stories written between 1790 and 1890. Due to the philosophical and psychoanalytical themes of the module, it will also include some contemporary texts that illuminate the theoretical frameworks of the sublime and 'explained supernatural'.
The syllabus may vary year to year, but key authors may include Horace Walpole, Ann Radcliffe, Samuel Taylor Coleridge, Lord Byron, Jane Austen, John Keats, John William Polidori, Emily Brontë, Joseph Thomas Sheridan Le Fanu, Rudyard Kipling and William Butler Yeats.
To complete the module successfully, students will be required to demonstrate:
1) A thorough understanding of the theoretical concepts of the sublime and 'explained supernatural';
2) An ability to apply this philosophical framework to the changing historical and cultural contexts in which the module texts were written and read;
3) An understanding of the evolution of contemporary anxieties surrounding gender, class, race and nationhood;
4) A detailed knowledge of the content and formal aspects of the set texts;
5) An ability to evaluate contemporary and current critical positions on the set texts.
By the end of the module, students should be able to:
1) Critically compare and contrast different texts and contexts;
2) Offer historically and theoretically informed insights into specific texts both orally and in writing;
3) Assimilate and evaluate information from a number of different literary, critical and contextual sources;
4) Bring a thorough understanding of the generic and formal aspects of the set texts to analysing module themes;
5) Produce with others, in small groups, notes and oral presentations;
6) Reflect upon their participation and essay-writing skills via a combination of formative and summative assignments.
Category | Activity | Number | Length | Student Hours | Comment |
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Scheduled Learning And Teaching Activities | Lecture | 13 | 1:00 | 13:00 | 13 lectures between Weeks 1-10. |
Guided Independent Study | Assessment preparation and completion | 2 | 25:00 | 50:00 | N/A |
Guided Independent Study | Directed research and reading | 11 | 8:00 | 88:00 | N/A |
Scheduled Learning And Teaching Activities | Small group teaching | 10 | 2:00 | 20:00 | 10 seminars between Weeks 1-10, the last of which will be a revision seminar. |
Guided Independent Study | Student-led group activity | 9 | 1:00 | 9:00 | Weekly study groups of 1 hour in which the students respond to set seminar preparation activities. |
Guided Independent Study | Independent study | 1 | 20:00 | 20:00 | N/A |
Total | 200:00 |
The lectures introduce students to knowledge outcomes relevant to the module. They address themes common to the authors studied and encourage the students to think comparatively. The seminars allow for the development of knowledge outcomes through close reading of specified texts, and the practice of skills, especially oral presentation and interpersonal communication. In addition, between the lecture and the seminar, students will be required to participate in a self-directed group learning hour. In the course of the module, each student will be responsible for writing at least two study group reports.
Seminars develop this knowledge and enable the practise of skills, namely close textual analysis and interpersonal communications. Study groups give students the chance to develop independent study and prepare for the seminars in terms that give them genuine ownership over the material.
The format of resits will be determined by the Board of Examiners
Description | Semester | When Set | Percentage | Comment |
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Essay | 2 | A | 85 | 3,500 word essay. |
Written exercise | 2 | A | 15 | 500 word reflective piece on learning and participation. |
Description | Semester | When Set | Comment |
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Portfolio | 2 | M | 1000 word research plan and annotated bibliography for final essay preparation. |
In the formative assignment, students will be required to plan an essay that links at least two texts that they have studied on the module. In this plan they will be expected to apply their understanding of the sublime and 'explained supernatural' in order to explore particular forms of cultural anxiety, and how these are reflected in, or challenged by, their chosen texts.
The formative assignment will:
1. Encourage student engagement with the module themes by reflecting critically upon their learning.
2. Require students to develop research skills as they seek out additional primary and secondary sources to compile their research plan and annotated bibliography.
3. Prepare students for their final essay in a way that allows them to receive constructive feedback and engage with it before beginning the assignment.
The end of module essay (3,500 words) will ask students to write an essay that engages with least two different texts, and responds to one or more given keywords. This assessment will focus students upon detailed aspects of the material in terms that connect their ideas with the module’s broader thematic and conceptual ambitions.
Alongside their final essay, the students will be asked to submit a short, assessed reflection (500 words) on what they have learned so far in the module, how they feel they have participated in its activities, and how they have responded to the formative feedback on their assignment plan.
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Disclaimer: The information contained within the Module Catalogue relates to the 2022/23 academic year. In accordance with University Terms and Conditions, the University makes all reasonable efforts to deliver the modules as described. Modules may be amended on an annual basis to take account of changing staff expertise, developments in the discipline, the requirements of external bodies and partners, and student feedback. Module information for the 2023/24 entry will be published here in early-April 2023. Queries about information in the Module Catalogue should in the first instance be addressed to your School Office.