MUS2009 : Performing Baroque Opera (Inactive)
- Inactive for Year: 2022/23
- Available for Study Abroad and Exchange students, subject to proof of pre-requisite knowledge.
- Module Leader(s): Dr Larry Zazzo
- Owning School: Arts & Cultures
- Teaching Location: Newcastle City Campus
Semesters
Semester 1 Credit Value: | 10 |
Semester 2 Credit Value: | 10 |
ECTS Credits: | 10.0 |
Aims
• to learn and be part of the production of an opera from the Baroque period, comprising the time period from c. 1600 to 1750.
• to understand and practice historically-informed approaches to the performance of music of this period.
• to give singers the opportunity to experience the staging of opera, and to give instrumentalists the specific experience of accompanying singers who may be acting on stage.
Outline Of Syllabus
The module introduces students to the performance of early opera, through a year-long study through practical workshops and seminar readings of a chosen set opera or opera scenes. Students will develop performance skills as singers, instrumentalists, and stage managers/assistant directors in ways that are informed by Historical Performance Practices. However, given the flexibility of resources deployed at the time of the composition of such works, part of the module may well include devising appropriate ways to deploy "modern" instruments in the absence of suitable "originals". Alongside professional vocal, instrumental, and movement coaching, students will gain an insight into what it takes to put an opera of this period onto the stage. Alongside practical workshops students will be required to undertake set readings that document historically-informed performance practice, the socio-cultural contexts inside of which early opera developed and was presented, and the ways in which such work is realised from the score through to public presentation. The range of characters and the musical styles in the piece allow for the participation of students with any background (classical, pop, or folk). The module will culminate in a fully-staged performance in a suitable venue, with the possibility of further performances in other venues/cities.
Teaching Methods
Teaching Activities
Category | Activity | Number | Length | Student Hours | Comment |
---|---|---|---|---|---|
Scheduled Learning And Teaching Activities | Lecture | 4 | 1:00 | 4:00 | Introduction, dance, baroque technique (PIP) |
Guided Independent Study | Directed research and reading | 10 | 4:00 | 40:00 | independent study; preparation of essay |
Scheduled Learning And Teaching Activities | Small group teaching | 3 | 2:00 | 6:00 | dance workshops, not all students required (PIP) |
Guided Independent Study | Skills practice | 9 | 10:00 | 90:00 | individual practice |
Scheduled Learning And Teaching Activities | Workshops | 10 | 3:00 | 30:00 | Musical and Staging rehearsals; Not all students required for each rehearsal (PIP) |
Guided Independent Study | Independent study | 1 | 30:00 | 30:00 | Preparation of Essay |
Total | 200:00 |
Teaching Rationale And Relationship
workshops develop students' practical skills (K1, K3, S1, and S2 above).
directed research and reading introduce and develop contextual understanding of early opera in its historical period, as well as historically-informed approaches to performance (K1, K2, K3, S1 and S2 above).
skills practice is where individual musicians work on their own parts, embedding the material, and memorising (K3, S1, S2, and S3 above)
student-led group activity allows for further embedding of the materials for performance, developed memory, and also requires working as a team with a clear agenda to fulfil (K3, S3 and S4 above)
independent study is scheduled in order that students may bring together their individual and collective experience with the scholarly work they have undertaken throughout the module to produce a reflective and evaluative essay (K1, K2, K3, and S4 above).
Assessment Methods
The format of resits will be determined by the Board of Examiners
Exams
Description | Length | Semester | When Set | Percentage | Comment |
---|---|---|---|---|---|
Performance | 90 | 2 | M | 60 | remote options of submitted video demonstrating baroque techniques or longer essay possible |
Other Assessment
Description | Semester | When Set | Percentage | Comment |
---|---|---|---|---|
Essay | 2 | A | 40 | Essay 2000 Words |
Assessment Rationale And Relationship
• The performance tests, in a professional-style public event students learning of the required practical, and by implication historically-informed performance practice skills for the module.
• The essay gives students the opportunity to reflect on their experiences and at the same time relate these to what they have learned about opera/music dramas of this period, and the approaches and challenges to performing this kind of work in the present day.
Reading Lists
Timetable
- Timetable Website: www.ncl.ac.uk/timetable/
- MUS2009's Timetable