Staff Profile
Professor Uta Kogelsberger
Professor of Practice
- Email: uta.kogelsberger@ncl.ac.uk
- Telephone: +44 (0) 191 208 6051
- Personal Website: https://utakogelsberger.net
Uta Kögelsberger is an artist based in London, and co-director of FILET, a space for experimental art production.
Kögelsberger's artistic practice articulates and engages with social and political concerns through the languages of photography, video, sculpture and sound. Recent projects have included Fire Complex, a series of billboards and video works in response to the impact of the SQF fire complex, Uncertain Subjects, a durational billboard performance in the public realm in response to the political landscape in the UK in the run up to Brexit (2017-2019), the spatial installation combining sculpture, sound and live performances, Orchestra of Rocks a visceral response to the impact of climate change (2016-2019), Playing the Cave, a New Expressions Commission in collaboration with the Cumbria Museum Consortium (2015); Waiting for Los Angeles, a portrait of the City of Los Angeles (2015); Off Road an investigation of the notion of freedom in the USA (2008-2014).
Kögelsberger’s work has been exhibited as part of the Brighton Photo Biennial, Brighton as part of Art Night, London, at Bluecoat, Liverpool, Spacex Exeter, CPG, London, Danielle Arnaud London, the Architectural Association, London, the Barbican, London, Laurence Miller Gallery, NYC and the Glassell Project Space MFAH, Houston. She has been awarded the Stanley Picker Fellowship, the Berwick Gymnasium Fellowship, the EAA Award for Art in Architecture and the SPD silver medal for editorial photography. Her photographic essays have been published in Wired, Esquire, GQ and American Photography.
Her work is held in public and private collections including the MFAH (Museum of Modern Art Houston) and the LACMA (Los Angeles County Museum).
Link to the Producers: Art Monthly
CLICK BELOW FOR RECENT WORKS
2014 Interview with Uta Kogelsberger and Tom Leeser
Uta Kögelsberger is an artist based in London, and co-director of FILET, a space for experimental art production. Her practice articulates and engages with social and political concerns through the languages of photography, video, sculpture and sound. Recent projects have included Uncertain Subjects, a durational billboard performance in the public space in response to the political landscape in the UK in the run up to Brexit (2017-2019), the spatial installation combining sculpture, sound and live performances, Orchestra of Rocks a visceral response to the impact of climate change (2016-2019), Playing the Cave,a New Expressions Commission in collaboration with the Cumbria Museum Consortium (2015); Waiting for Los Angeles, a portrait of the City of Los Angeles (2015); Off Road an investigation of the notion of freedom in the USA (2008-2014).
Kögelsberger’s work has been exhibited as part of the Brighton Photo Biennial, Brighton as part of Art Night, London, at Bluecoat, Liverpool, Spacex Exeter, CPG, London, Danielle Arnaud London, the Architectural Association, London, the Barbican, London, Laurence Miller Gallery, NYC and the Glassell Project Space MFAH, Houston. She has been awarded the Stanley Picker Fellowship, the Berwick Gymnasium Fellowship, the EAA Award for Art in Architecture and the SPD silver medal for editorial photography. Her photographic essays have been published in Wired, Esquire, GQ and American Photography. Her work is held in public and private collections including the MFAH (Museum of Modern Art Houston) and the LACMA (Los Angeles County Museum).
Recent Projects:
Uncertain Subjects situates itself between the photograph as historic document, performance and a work of activism. In a series of durational performances large scale 48 sheet billboards were constantly covered and recovered with new billboards: Each billboard a head and bare shoulder portrait of people who – in the face of Brexit – feel this country no longer represents their best interest, people who feel like they have become alienated within their own country and many whom have decided to move out of the UK. The work gives a voice to those who feel they have been silenced by the failing democratic processes. It brings a personal lived experience back into the conversations surrounding Brexit.
Orchestra of Rocks: Not Rock Concert, Rock Concert andCave Music are a playful evocation of ancient rituals, myth and man's desire, often futile, to gain control over nature. Each exhibition was different versions of an installation combining sculpture, experimental sound and live-performance and included collaborative contributions by experimental sounds artists and life performers including Atau Tanaka , Dane Law (Adam Parkinson), xname (Eleonora Oreggia), Shelly Parker , Chooc Ly Tan, Marv Radio,The Noize Choir, Mariam Rezaei, Will Edmondes, and Tom Richards. It was first exhibited as part of the Whitechapel Art Night Associate Programme and transformed St Olave’s Church on Hart Street, then as part of the GETN at the Boiler House, and finally in the Hub, Lonodn. An immersive environment of sculptural installation and sound, based on Kögelsberger’s recordings of individual raindrops, captured with experimental recording techniques, experimental sounds artists and performers created improvisations of trancelike, rhythmic and ritualistic soundscapes hovering between abstraction and dance track referencing the increase of rainfall due to climate change in the lake district.
The Antipode Series The Antipode project seeks to make complex global relations palpable through a set of photographic diptychs that collapse geographical space by joining two exactly opposite points of the globe in a single image. At the core of the inquiry are the political implications of the redefinition of geographical space. In our one world society invisible international networks of, primarily, but not exclusively economical, cultural, and ecological systems supersede national boundaries. The resulting collapse of geographical space is arguably the most significant change impacting on the current political landscape. By drawing seemingly unrelated spaces together through a set of geographical co-ordinates the series seeks to create unexpected connections to draw attention to the fact that in spite of differences our worlds are inextricably connected.
Pockets of Freedom; Off Road is the second installment of a Trilogy of works that looks at controlled pockets of freedom in the United States and how these notions are manifested in a unique relationship to the American landscape. It explores freedom as a construct that is instrumental in sustaining the political system that houses it. Off Road was developed out of an intense and sustained over a five-year period at a State vehicular Recreation Area in California. The location consists of a very large area of sand dunes, the south side of which borders on a nature reserve. In the work this close proximity of two contrasting sites acts as a metaphor for two very different interpretations of freedom. These contradictions are materialised by juxtaposing visual languages. The work seeks to redefine ways in which video and photography can be combined in contemporary art. Central to this is the way that time is represented, and an exploration of the boundaries documentary and fictional filmic languages. Off Road has been exhibited in a one-person show at Danielle Arnaud Contemporary Art, London in January 2014 and reviewed on viral net, a curatorial project of Tom Leeser (Cal Arts), screened at the California International Arts Foundation and exhibited in Brussels and acquired for the permanent collection at LACMA.
The American book project: This project brings together 10 years of previously unpublished photographs, drawing on a collection of approximately 10000 medium and large format negatives to edit them down to a large-scale, limited-edition book project of 184 photographs. Instead of focusing on a coherent narrative, topicality or subject matter it specifically seeks to disrupt narrative, coherent representation or meaning to focus on the medium of photography as such. It is a reflection on the changing nature of how we receive and disseminate photographic images.
Solo-Exhibitions:
2020
2019 Cave Music, The Hub, London, a sculptural installation with sound including contributions by experimental sound artists: Atau Tanaka, Chooc Ly Tan, Marv Radio Dane Law, and Shelley Parker,
2019 Uncertain Subjects revisited, Grainger Market, Newcastle Upon Tyne
2019 Rock Concert,The Boiler House, Newcastle Upon Tyne a sculptural installation with sound including contributions by experimental sound artists: Atau Tanaka, Chooc Ly Tan, Marv Radio Dane Law, and Shelley Parker,
2018 Uncertain Subjects Part III: A current ongoing exhibition as part of the Brighton Photo Biennial, A billboard performances that develops on from Uncertain Subjects Part (2017)
2018 Uncertain Subjects Part II:Billboard project including performance for Art Night in collaboration with the Hayward Gallery
2017 Uncertain Subjects; EU citizen project, Mail-art project launched at 4Cose, London
2017 Orchestra of Rocks: Not a Rock Concert,Art Night in collaboration with Whitechapel Art Gallery, curated by Fatos Ustek, a sculptural installation with sound including contributions by experimental sound artists and DJ’s: Atau Tanaka, Shelley Parker, Tom Richards, Nathalia, Dane Law, xname
2015 Playing the Cave, Tullie House, video installation as part of New Expressions Commission, Carlisle
2015 South By Southwest, solo exhibition, 2 video installations and a series of photographs, Abbot Hall, Kendal
2015 Cinema IV,artwork in public space, Wordsworth Trust, Grasmere
2015 Waiting for Los Angeles, video installation, Ex-Libris Gallery, Newcastle upon Tyne
2014 Off Road, solo exhibition including a video installation, sculpture, photography and sound, Danielle Arnaud, London
2008 Bunker Series, solo exhibition, photography, Photofusion, London
2007 Flares, Roads and Paradise,solo exhibition of photographs, Aenaon Gallery, Athens, Greece
2005 Dark Light, Glassell project Space, solo exhibition of photographs, curated by Francesca Fuchs, The Museum of Fine Art, Houston, Texas
2004 Uta Kogelsberger,solo exhibition of sculptural photographs, Queens Hall, Hexham
2003 Gegenlicht, solo exhibition of photographs, Art Lab, London
2003 Retreat, CGP, London, solo exhibition of photographs
2002 Moon Struck, Berwick Gymnasium, Berwick-Upon-Tweed, solo exhibition of photographs
2000 Out so late Miss, solo exhibition of photographic installation including sculptural objects, Art-tank, Belfast, Northern Ireland.
2000 Samsa Nella Citta, solo exhibition including video installation, wall painting, photography and sound, Interio, Bologna, Italy
1999 More and Less, solo exhibition of photography, Art Tank, Belfast
1997 Twelve months, solo exhibition of two site specific installations and photography, Sculpture House, Kingston Upon Thames
Selected Group Exhibitions:
2019: Britain Now, A series of images from the Uncertain subjects series and a time lapse video,as part of a group exhibition including works by Catherine Opie, Martin Parr and Sam Durant curated by the Contemporary Art Society, for CPF, London
2019: Royal Academy Summer Exhibition, curated by Jane and Louise Wilson, diptych from Uncertain Subjects Performance
2018: The Nature of Things, exhibited in Les Nuits the L’annee, Les Recontres, Arles, France
2018: The Nature of Things, exhibited in The Tiblis Photo Fesitval, Tiblis, Georgia
2018 The Ashtray Show West, group show including works by Fiona Banner, Francis Upritchard, Karin Rugabber, Simon English and Cullinan and Richards amongst others
2016 Foreign Encounter, group-show including works by Anthony Gormley, Richard Grayson and Wolfgang Weileder amongst others, Munich, Germany
2015 Slash Seconds, group-show curated by Peter Lewis, including works by Melanie Manchot, Carey Young, Rut Blees Luxemburg and Uriel Orlow amongst others Sharjah Art Foundation, Sharjah
2012 Topophobia, a touring exhibition curated by Polly Gould and Anne Eggebert, including works by Emily Speed, Louise K Wilson and David Ferrando Giraut
· Danielle Arnaud Contemporary Art, London
· Bluecoat, Liverpool
· Spaces, Exeter
2012 If You Look Like your Passport Photo, group show including work by Hand and Morley Special Projects, Walker and Bromwich and Duncan Swann, Sheffield Institute for the Arts
2012 Concrete Geometries, Group Show, Architectural Association, London
2011 'Elusive',group show curated by Sian Bonnell, including works by David Spero, Eva Stenram, Suky Best and Anthony Luvera amongst others, Camberwell Space, London
2011 Trajector Art Fair, group show with Ersatz Gallery, Brussels, Belgium
2010 ‘Reading Landscape’, group show including work by Eva Stenram and BledayRosa, Architectural Association, London
2010 ‘European Sovereign Art Prize’, Barbican, London
2010 Appropriate Modernism, group show including work by Carla Arocha and Stephane Scharaenen, Hotel Bloom, Brussels
2010 Architectural Fictions, Group show including works by Mary Maclean and Fiona Crisp, Bracknell Park
2010 SPD Prize, Cipriani’s, NYC
2009 Three by Three, Yinka Shonibare Gallery, London, England
2009 Incubator 2,Durham Military Museum, England
2007 A Private Paradise, Danielle Arnaud Contemporary Art, London
2007 Yee Haw!, Vegas Gallery, London
2007 Celebrations, Stanley Picker Gallery, London
2006 Festival-Off, les Rencontres, Arles, France
2006 Visual Arts Futures, Bloomberg Space, London, UK
2004 Arts Futures, Contemporary Arts Society, London, UK
2003 Oases, Laurence Miller Gallery, NYC, USA
2003 A Taste of Honey, Buckfastleigh Festival, Devon
2003 The Connecting Principle, Newcastle University, Newcastle
2000 Seventy over Two Thousand, touring group exhibition, Stanley Picker Gallery, Edinburgh City Arts Centre, The National Arts Centre of Malta, John David Mooney Foundation, Chicago
Publications
Artist Monographs
2005 ‘Uta Kogelsberger’, 2005, artist monograph with a text by Jean Paul Curnier, published by Photo North, UK, 76pp
Selected Edited books:
2015 American Photographers, 2015 published by American Photography, a publication presenting the work of the top 100 photographers of the USA, 310pp
2012: Topophobia, edited by Eggebert and Gould, 2012, published by Eggebert and Gould, London, pp. 8-14 and pp.116
2010 American Photographers, 2010, published by American Photography, a publication presenting the work of the top 100 photographers of the USA, 310pp
2008 Berwick Gymnasium Fellowships, anthology of previous Berwick Gymnasium Fellows, published by English Heritage, 160pp
2007 14th International Month of Photography Athens, exhibition catalogue, published by Hellenic Center for Photography, 142pp
Photo Essays:
2014 The Ends of The World, six-page double spread Photo essay about Antipodes two exactly opposite sides of the world, published in six-page double spread in Wired USA and Wired UK
2010 My favorite shot, The Guardian, UK
2010 Urban Myths, photo essay, TAG Magazine, USA
2010 Mystery Spots, ten-page photo essay, Esquire Magazine, Spain ‘Mystery Spots’ Quo Magazine, Spain, Quo Magazine, Mexico
2009 Mystery Spots, ten-page double spread photo essay, Wired Magazine, UK, Wired Magazine, Italy, GQ, South Africa
2008 Paradise Now, six page double spread photo essay, Wound Magazine
Selected Articles and Interviews about my Research:
2018: Exploring a New Europe at Brighton Photo Biennial, Shoair Mavlian,
2018: How Wolfgang Tillmans is rebranding Europe, by Rob La Frenais, The Makery
2018: My Night in the Artworld, Fad Magazine, Giulia Trojano
2017 From Photos to Posters and the Press, by Hettie Judah, Artnet
2015 New Expressions, Axis-web Films
2015 New Expressions, Lakes Culture
2014 Uta Kogelsberger, Photogrist Magazine
2014 Uta kogelsberger, Off Road, Wall Street International
2014 Off Road,Modern Painters
2014 Pockets of Freedom, Interview, Yale University Radio
2013 Off Road, Interview, Viralnet
2012 Topophobia, review by Colin Glen, Frieze Magazine
2012 Topophobia, review by Laura Davis, Liverpool Arts and Culture
2012 Topophobia, review by Mark Sherin, Culutre 24
2012 Topophobia, review by Denis Joe, Manchester Salon
2012 Topophobia, review, Sevenstreets
2012 Topophobia, review by C James Fagan, Double Negative
2012 Topophobiatop picks, the Guardian
2012 Topophobia, review by Stephen Clarke, Redeye
2012 Topophobia, Artists Newsletter, review by Anneka French
2011 Concrete Ambivalence,by John Beck, Duke University Press
2003 Oases, Time Out, New York
2003 Oases, The New Yorker, New York
2003 Uta Kogelsberger, Art Monthly, October
2003 Uta Kogelsberger, Time out, issue 1724
2003 Lookout,ITV Borders 2000
2003 Belgian With an eye for Northumbria, Scotsman, 23/04/02
2001 Uta Kogelsberger, Tema Celeste, issue 85
2000 Samsa Nella Citta, Bologna, November 2000
2000 Things That might Just go Bump in the Night, Ian Hill, Newsletter
1999 Interview for BBC Choice
1999 Demarco European Art Foundation, The List, issue 341
1999 Hit-list, The List, Issue 339
1998 A Dazzling Finale, Elizabeth Mahoney
1997 Artist in Revolt, Ian Gale, Spectrum
1996 An Artwork that is really that, Artwork, issue 84
Awards:
2015 The Ends of the Earth, selected for American Photography
2010 Mystery Spots, selected for American Photography
2010 Mystery Spots, SPD silver Medal for editorial photography
2010 Urban Myths, shortlisted for Sovereign European Art Prize
2005 Uta Kogelsberger, publication shortlisted for artist book of the year award
2001 EAA- Award for Art in Architecturefor outstanding achievement with a public art work for my site specific installation ‘time line’; a permanent commission for the New Dancebase Centre in Edinburgh Designed by Malcolm Fraser Architects.
Fellowships and residencies:
2013 Artist Residency, California International Arts Foundation
2008 CRIR- residency, Copenhagen
2006 Artist-Residency, Center for Land Use and Interpretation
2003 Full-Fellowship, VSC, USA
02-03 Art and Architecture residency, Kielder, UK
01/02 Berwick Gymnasium Fellowship, UK
95/96 Stanley Picker Fellowship, Kingston University, UK
Commissions and Collaborative Projects:
2015 New Expressions Commission, Arts Council
2015 The Ends of the Earth, WIRED, USA
2014 Waiting for Los Angeles, Artist International development Fund, Arts Council London, developed in collaboration with California Institute for the Arts
14/15 New Expressions, a series of commissions developed in collaboration with the Cumbria Museum Consortium, funded by the Arts Council England
2014 The Ends of The Earth, Wired Magazine, USA
2009 Mystery-Spots, Wired Magazine, USA
2004 Hidden States, Backdrop for Opera staged at Baltic Center for Contemporary Arts
01/02 Berwick Gymnasium Fellowship, UK
95/96 Stanley Picker Fellowship, Kingston University, UK
1999 Timeline, Public Art Commission for new Dance-base Centre Edinburgh
Selected Grants and Funding
2015 New Expressions Commission, Arts Council (£12,000 £8,000 in kind)
2015 The Ends of the Earth, WIRED, USA ($50,000)
2014 Waiting for Los Angeles, Artist International development Fund, Arts Council London, developed in collaboration with California Institute for the Arts (£5000 3000 in kind)
2013 Material Matters, Large Bid preparation fund, University of Newcastle (£97828)
2012 Off Road, FRF grant, Newcastle University (3,800)
2008 Dark Light, AHRC, Small Grant to the Creative and Performing Arts (£19,986)
06-07 Dark Light, IFRF grant, Newcastle University (£3,600)
2007 Picturing-Paradise, AHRC, Small Grant to the Creative and Performing Arts (£19,890)
2004 Picturing Paradise, FRF grant, Newcastle University (£2,383)
2003 Night Vision, Arts Council Project grant (£5,000)
2003 Retreat,AHRC, Small Grant to the Creative and Performing Arts (£5,000)
1999 Out so late Miss, Arts Council of Northern Ireland Project Grant (£1,000)
Curatorial Project (FILET, a space for experimental art production co-directed with Rut Blees_Luxenburg)
2015 Solo exhibition, photographic installation, Eva Sternram, with an introduction by Margarita Glutzburg (RCA)
2015 Douglas Park Reading, sponsored by Gallery KIMKIM, Seoul, South Korea, with an introduction by Bob and Roberta Smith
2015 Performance by Keith Winter ‘The Handyman’
2015 Solo exhibition, painting, Sarah Statton, with an introduction by Hilary Koob Sassen
- Art and Reason, How art thinks, Symposium chaired by Suhail MalikIncluding Basam el Baroni, Amanda Beech, Diann Bauer and Robin MacKay, Newcastle Univeristy, streamed to New Centre for Theory, NYC, USA and FILET, London
2015 Solo exhibition Simon Popper
2016 Two person show Dallas Seitz and Abigail Fletcher, with an introduction by David Campany
2016 Book Launch, Milly Thompson and Alison Johnes, 21stcentury st, book launch with an introduction by Michael Archer
2016 Solo exhibition, Liam Tickner, the Good the bad nad the Algae, Introduced by Gareth Bell Jones
2016 Solo exhibition, Sarah Dobai, The Principles of Deception Reviewed in Pylot Magazine
2016 Two person show, Phillip Dorl and Ryan L Moule, Introduced by Catherine Yass
2017 Solo Exhibition, Marianne Mueller, Curtain Close, Introduced by Melanie Manchot
2017 Solo exhibition of drawings, Simon English, Argy Bargy, introduced by Katryn Kysostal
2017 Solo exhibition, Jude Crilly, Big Naturals, sculptural installation,
2017 Solo Exhibition, Pollytropos, Nick Waplington
2017 Solo exhibition, Frocibly Bewitched Version2, Cullinan and Richards, introduced by Jon Slyce
2017 Solo exhibition, video installation, Dat Likwid Land, Jacob Dwyer
2017 Solo exhibition Chooc Ly Tan, installation and performance, Accidualted Stellar Mix
2018 Solo Exhibition, For Children, Not For Children, drawings, Margarita Gluzberg
2018 Solo Exhibition, Local Colour, Georgie Hopton
2018 Two person Show, Adam Gilbery and Joshua Leon, performance, Inhale
2018 Solo exhibition, Tennis and What it means to be modern, sculptural installation and photographs, Dan Mitchell
2018 Solo Exhibition, Monkey Business, Brigitte Jurack, sculptural installation
My educational background was in sculpture, but I have mainly been working with photography and video since 2002. These are also the main areas on inquiry I supervise.
I have taught into all years of the BA and the MFA. I supervise PhD students.
I devise and co-ordinated the Visiting speaker Program as well as the Producers Series:
- Kögelsberger U. Uncertain Subjects, Part II. 2018. London: Art Night, A photographic Billboard Performance.
- Kögelsberger U. Weather Works 2. 2017. London; Newcastle upon Tyne: Art Night; The Boiler House; The Hub.
- Kögelsberger U. Off Road II. 2014. London: Danielle Arnaud Contemporary Art, 4 videos, 1 sculpture, 160photographs, installational seating.
- Köglesberger U. Weather Works 1. 2015. Carlisle, Kendal, Grasmere: Tullie House; Abott Hall; Wordsworth Trust.
- Kögelsberger U. Waiting for Los Angeles. 2015. Newcastle uppon Tyne: Ex-Libris Gallery, 1.
- Kogelsberger U. Mystery Spots - Article/photo essay. Wired USA, Wired UK, Wired Italy, GQ South Africa and Esquire Spain: Conde Nast, 2009. .
- Kögelsberger U. Playing the Cave. 2015. Carlisle: Tullie House, 1.
- Kögelsberger U, Blees-Luxemburg R. Filet, a space for experimental art production and research. 2015. London: Filet, 10 projects to date. In Preparation.
- Kögelsberger U. Cinema I. Grasmere, UK: Wordsworth Trust, 2015.
- Kögelsberger U. South by Southwest. 2016. Kendal, UK: Abbot Hall, 12 large scale photographs and a video installation.
- Kögelsberger U. The Ends of the Earth. WIRED UK 2015, 02.15(02.15), 114-119.
- Kogelsberger U. ‘Getting Lost/ Road series’ - Series of large scale photographs for exhibition. An exhibition catalogue published at the occasion of the Athens Photo Biennial (completed) and inclusion in the planned artist monograph comprising work from ‘urban myths’ and ‘picturing-paradise’(not completed). 2013. In Preparation.
- Kogelsberger U. Off Road. A 22 minute video, and slide show screened at the California International Arts Foundation (July 2013) and exhibited Hotel Bloom in Brussels in association with Ersatz Gallery (Sept 2013), Date 2013. Venue. California International Arts Foundation; Hotel Bloom, Brussels. URL: http://viralnet.net/interviews.html URL: http://viralnet.net/projects.html. Brussels, 2012.
- Kogelsberger U. Urban Myths. A series of photographs included in the touring exhibition ‘Topophobia’ and published in American Photographers; TAG magazine. The project was reviewed in Redeye Photography Network, The Double Negative, The Sevenstreets and AN interface and presented at conferences Photography and Theory, North East Photography Network, Topophobia, Central St Martin’s. 2012. London.
- Kogelsberger U. ‘Night-Vision’. A body of photographs exhibited at a range of venues and events, published as the book ‘Uta Kogelsberger’. 2002. Berwick-Upon-Tweed: 6/4/02-19/5/02. London: 3/09/2003 to 28/09/2003. London, 18/09/2003 to 26/10/2003. New York: 08/07/2003 to 22/08/2003. Arles (screening) 4/7/06-8/7/06: ‘Moon Struck’, Berwick Gymnasium. ‘Retreat’, Café Gallery Projects. ‘Gegenlicht’, Art Lab. ‘Oases’, Laurence Miller Gallery. ‘Festival-off’, Les Rencontres, 37.
- Kogelsberger U. Dark Light. 2005. Houston: 06/12/2005. London: 29/06/2007 to 29/07/2007. Athens, Greece: 1/10/07-15/10/07: Glassell Project Space, Museum of Fine Arts. ‘A Private Paradise’, Danielle Arnaud Contemporary Art. ‘Flares, Roads, and Paradise’, presented as part of the International Festival of Photography, Aenaon Gallery, 10 photographs and slide show of 81 images with a voice over.
- Kogelsberger U. Antipodes, The collapse of Geographical Space. In: Global Resonances, Northern Bridge Autumn Conference. 2016, Baltic Centre for Contemporary Art.
- Kogelsberger U. Negotiating Three Collections. In: The Artist in the Collected World. 2016, Chelsea College of Arts.
- Kogelsberger U, Tanaka A, Law D, Richards T. Orchestra of Rocks; A Rock concert. 2017. London, UK: Whitechapel Art Night, 16.
- Kogelsberger U. Orchestra of Rocks: Not A Rock Concert. 2017. St Olave's Church on Hart Street: Art Night in Collaboration with Whitechapel Art Gallery, n.a.
- Kögelsberger U. Uncertain Subjects. 2017. London; Brighton; Newcastle upon Tyne: Art Lab, 4Cose; Art Night; Brighton Photo Biennale; Great Eastern Wall; Newcastle Grainger Market.