Staff Profile

Research Interests

De Jong's research broadly explores the African diasporic experience through the combined lenses of music and culture. More specifically, it examines the identities forged by diasporic groups, including the cultural continuities and adaptations which contribute to their construction, and the ways in which these identities find expression in music. In addressing these complexities, she stresses three main themes: the cultural emergence of identity; the reshaping of identity; and the interaction of identity and cultural memory.

To date, her work focuses on American jazz, Caribbean music and the music of Southern and Central Africa. These areas, although often considered separate, overlap under the broad rubric of diasporic studies and, when viewed together, offer valuable opportunities to examine from different angles the complexities shaping black identity. In American jazz, her research focus has been on the avant-garde traditions of the 1960s and 70s, examining musicians’ collectives through the aesthetic principles of the Black Power movement. Within Caribbean music, her research emphasis has been on Curaçao, the largest of the Netherlands Antilles, with more recent research examining the role of music among Curaçaoans living in the Netherlands. As a Fulbright scholar, De Jong assumed a one-year residency at the University of KwaZulu-Natal, South Africa, and has since extended her research to include popular and traditional music traditions in Southern Africa (South Africa, Zimbabwe) and Central Africa (Democratic Republic of Congo and Republic of Congo).

Other Expertise

De Jong is an accomplished classical and salsa flautist, serving as substitute flute with the Chicago Symphony Orchestra, and performing with such salsa greats as Johnny Pacheco and Celia Cruz.

Current Grant Work

De Jong is Principal Investigator on a recently awarded grant from the European Union’s ‘Investing in People’ scheme, which is funding the project Southern African Cultural Leadership (SACL), taking place in South Africa and Zimbabwe from January 2012 to January 2014. SACL is a governance and capacity-building initiative that is establishing public and private partnerships within South Africa and Zimbabwe’s cultural and creative industries that effectively bridge regions and nation groups while facilitating exchanges between policy-makers, artists, cultural and development specialists and civil societies on the importance of culture for development. The project is approached from the perspective that the role of cultural expressions in fighting social inequalities and discrimination can be enhanced when combated through collective sharing of expertise. For more information, please visit the SACL website: http://strengtheningafrica.com/.

The impact of SACL can be viewed at the Newcastle University website on 'Fighting Poverty Through Arts and Culture": http://www.ncl.ac.uk/impact/Music-art-culture.php

This grant is currently supporting an exchange programme involving Newcastle University students travelling to Southern Africa to conduct research and teach music workshops at area schools and colleges. If you are a current or prospective student and interested in participating in this exchange programme, please contact Nanette de Jong.

Future Research

Future research projects centre on the ancestral rituals from Southern Africa, the trans-Atlantic journey of Afro-Caribbean and jazz rhythms returning to Africa through globalisation, and African popular music, with an emphasis on the development of la Sape [Societe des Ambianceurs et des Personnes Elegantes] among Congolese migrants.

Esteem Indicators

De Jong's book Tambú: Curaçao's African-Caribbean Ritual and the Politics of Memory has been shortlisted for the 2013 Albert J. Raboteau Prize for Best Book in Africana Religions.

European Commission grant (2012-2014). Principal Investigator, awarded €400,000 under the theme 'Strengthening capacities in the cultural sector' with 'Investing in People' EuropeAid funding programme.

Editorial Group (2012-Present). Popular Music (Cambridge University Press).

Co-Editor (2012-Present). Radical Musicology (produced in ICMuS, Newcastle University)

Fulbright Fellowship (2006-2007). Awarded for travel to South Africa, conducting research on the trans-Atlantic interaction and creation of a cultural African Diaspora through mutual influences in music.

Bildner Fellow (2002-2005). Awarded for commitment to curriculum development and interdisciplinary learning.

Teaching

Undergraduate Teaching (selected listing)

Ethnomusicology: Issues and Concepts
World Musics: Approaches and Methods
Collective Performance (Salsa Band)
Music and Identity in the Caribbean
Studying Black Music
Understanding World Music
World Music in Practice (with opportunities to study and perform a variety of musics, including salsa, mbira, samba, bossa nova and gamelan)
Salsa Music in Practice

Postgraduate Teaching (selected listing)

Advanced Studies in Ethnomusicology
Ritual, Remembrance and Recorded Sound
Music Research Training
Urban Musicology: Approaching musical spaces

Postgraduate Supervision (selected listing)

As Primary Supervisor:

Francisco Javier Bethencourt LLobet (topic: Flamenco music, dance and identity; PhD completed in 2011)
Thomas Astley (topic: Cuban popular musics and contemporary constructions of identity, AHRC-funded)
Iván Diaz Burlinson (topic: The relationship between music and capitalist processes in Newcastle-upon-Tyne; PhD expected in 2015, AHRC-funded)
Thomas Astley (topic: Cuba's punk music scenes, AHRC-funded)

As Secondary Supervisor:

Joao Silva (topic: Portuguese popular musics and symbolic constructions of nation; PhD completed in 2011)

Publications

De Jong N, ed. The Cambridge Companion to Caribbean Music . 2022.
de Jong N, Jongisilo Pokwana ka Menziwa C. "Witchcraft and Witchcraft-Related Violence in AmaZizi Chiefdom of kwaZangashe, Eastern Cape". HTS Theological Studies 2022, 78(3), a7108.
de Jong N, King Madzikane II. Maskanda, Umkhosi wokukhahlela and the Articulation of Identity in South Africa. Journal of the Royal Musical Association 2020, 145(1), 167-190.
de Jong N. Mapping Cultural Policy in South Africa: Reflections from an Ethnomusicologist. Radical Musicology 2020, 8(2019-20).
de Jong N, Mieves C. The Trope of Flattening and the Complexities of Difference: Visual and Acoustic Accounts of Trinidad Carnival. Anthurium: A Caribbean Studies Journal 2016, 13(2), 5.
De Jong N. Tambú: Curaçao's African-Caribbean Ritual and the Politics of Memory. Bloomington: Indiana University Press, 2012.
De Jong N. Curaçao and the Folding Diaspora: Contesting the Party Tambú in the Netherlands. Black Music Research Journal 2012, 32(2), 67-81.
De Jong N. The Tambú of Curaçao: Historical Projections and the Ritual Map of Experience. Black Music Research Journal 2010, 30(2), 197-214.
De Jong N. The (Cuban) Voice of the (Curaçaoan) People: The Making (and Taking) of Collective Memory. Journal of Historical Sociology 2009, 22(3), 351-365.
De Jong N. South Africa, Black America, and Jazz: A Trans-Atlantic Dialogue. Jazzforschung / Jazz Research 2009, 41, 83-92.
De Jong N. Tambú: Commemorating the Past, Recasting the Present. Transforming Anthropology 2008, 16(1), 32-41.
De Jong N. "Kokomakaku" and the (Re) Writing of History. Afro-Hispanic Review 2007, 26(2), 87-101.
De Jong N. Women of the Association for the Advancement of Creative Musicians: Four Narratives. In: Hayes, EM; Williams, LF, ed. Black Women and Music: More Than The Blues. Urbana: University of Illinois Press, 2007, pp.134-152.
De Jong N. “Joe’i Kórsou?”(Who is the True Curaçaoan?): A Musical Dialogue on Identity in 20th Century Curaçao. Black Music Research Journal 2006, 26(2), 165-179.
De Jong N. "You Can't Kill an Organization": Musicians' Collectives and the Black Power Paradigm. Jazzforschung / Jazz Research 2005, 37(1), 133-144.
De Jong N. “We Are Who We Believe Ourselves To Be”: Curaçao Jazz and the Expression of Identity. Image & Narrative: online magazine of the visual narrative 2005, 5(2 (10)).
De Jong N. An Anatomy of Creolization: Curaçao and the Antillean Waltz. Latin American Music Review 2003, 24(2), 233-251.
De Jong N. Forgotten histories and (mis)remembered cultures: the Comback party of Curaçao. British Journal of Ethnomusicology 2003, 12(2), 35-50.
De Jong N. Inventions of Identity: An Examination of the Jazz Community of Curaçao and The Association for the Advancement of Creative Musicians. In: Music Studies and Cultural Differences Conference Papers. 1997, London: Open University.
De Jong N. Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. NWIG: New West Indian Guide 2011, 85(3-4), 313-315.
De Jong N. Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World (T.J. Desch Obi, University of South Carolina Press, 2008) [Book Review]. 2009. In Press.
De Jong N. Live from Dar es Salaam: Popular Music and Tanzania's Music Economy [Book Review]. Popular Music 2014, 33(2), 362-365.
De Jong N. Tambú; Antillean Waltz; Seu; Comback Party. In: Shepherd J, ed. Continuum Encyclopedia of Popular Music of the World. London: Continuum Publishing, 2010.
De Jong N. The Music of Anguilla and Barbuda; The Music of Antigua; The Music of St. Vincent and the Grenadines; The Music of Montserrat. In: Shepherd, J, ed. Continuum Encyclopedia of Popular Music of the World. London, UK: Continuum Publishing, 2006.
De Jong N. La Lupé; Julian Orbón; Arsenio Rodriguez. In: Pérez Jnr, L.A., Martinéz-Fernandez, L., Figueredo, D.H., González, L, ed. Encyclopedia of Cuba: People, History, Culture. Westport, Connecticut, USA: Greenwood Press, 2003, pp.416; 424; 430.
de Jong N. Enacting power: the criminalization of obeah in the Anglophone Caribbean 1760-2011. Journal of the Royal Anthropological Institute 2015, 21(2), 496-498.
de Jong N. Musical Echoes: South African Women Thinking in Jazz. By Carol Ann Muller and Sathima Bea Benjamin. Popular Music 2017, 36(1), 120-123.
de Jong N. Displays of masculinity and rituals of display: Congolese immigration and xenophobia in Johannesburg. Journal of Historical Sociology 2017, 31(2), 106-118.

Professor Nanette De Jong

Prof of Socially Engaged Ethnomusicology