Staff Profile
Dr Fernando Beleza Pinto
Lecturer in Portuguese Studies
- Address: Room 5.02a, Old Library Building
Newcastle University
Claremont Road
Old Library Building
NE1 7RU
UK
Introduction
I joined the School of Modern Languages in September 2018. I hold a B.A. in Modern Languages from the University of Coimbra and an M.A. in Comparative Literature from the University of Porto. In 2015, I completed a PhD in Luso-Afro-Brazilian Studies and Theory at the University of Massachusetts, Dartmouth. Before coming to Newcastle, I worked at the University of New Hampshire (USA). I teach on the cultures, literatures, and cinemas of the Portuguese-speaking world.
Responsibilities
Degree Programme Director for the M.A. in Global Film
SML Decolonial Champion
Research Interests
My research focusses on modern and contemporary literatures and cinemas of the Portuguese-speaking world, with an emphasis on Portuguese-speaking Africa and Portugal. I am particularly interested in: modernism(s); race, gender, and sexuality in Portuguese and Portuguese-speaking African literatures and film; diaspora and transnational imaginaries; Lusophone cultural production and the environmental humanities.
Current Work
I am currently working on a research project on Black Portuguese Modernism, which explores the Black presence in Lisbon in the interwar period in relation to the literary and artistic worlds. In the 1920s, Lisbon was the permanent or temporary home of intellectuals, writers, artists, students, and workers of African descent with links to Portugal's overseas empire. The contribution of this generation to modernism (in literature, theatre, and the visual arts), as well as the role of the anti-colonial and anti-racist affective communities they established, remains to be fully explored. This project addresses aspects including anti-colonialism, anti-racism, cosmopolitan politics, race, sexuality, and identity. It explores Lisbon's black modernism in transnational, Atlantic, and European contexts.
My forthcoming book examines Mário Domingues's literary contribution to Black Portuguese Modernism. Mário Domingues (São Tomé and Príncipe, 1899 – Costa da Caparica, 1977) was a writer, journalist, and anarchist, as well as an anti-racist and anti-colonial activist, born on the island of Príncipe to a white Portuguese father and an African mother with Angolan roots. Educated in Lisbon, he played a key role in the early twentieth-century emerging Black movement’s intellectual, political, and artistic life. His literary production offers an anti-colonial and anti-racist critique of modernity, intersecting various modernist debates on themes ranging from race, gender, and sexuality to imperialism, ecology, and vegetarianism. This book traces Domingues’s literary, intellectual, and political trajectory, contributing to a more rigorous understanding of Portuguese modernism and its relationship to the colonial project whilst shedding light on the contours of an original contribution to the modernisms of the Black Atlantic.
I also collaborate with the Instituto de Literatura Comparada, based at the University of Porto, and with the research project Estranhar Pessoa, based at the Universidade Nova de Lisboa.
Postgraduate Supervision
I welcome research proposals in any of my research interests and closely related areas in comparative literature and film.
Completed MLitt Theses:
Georgina Hulston (Co-supervisor Josep Cru): 'How does Environmental Change, through Land Invasion and Climate Change, affect Indigenous Peoples, Cultures, Knowledge Systems and Languages? A Case Study in The Alto Rio Negro Region of The Northwest Brazilian Amazon.' Awarded 2023.
Emily Armitage (co-supervisor Pauline Henry-Tierney): 'Translating the Taboo: Exploring the translation of transgressive themes in Novas Cartas Portuguesas (1972).' Awarded 2023.
Maria Denton (Co-supervisor Patricia Oliart): 'Indigenous Hip Hop in Brazil: Identity and Resistance.' Awarded 2020.
My current research students:
Matteo Giacche (First supervisor Gitte Hansen): 'Music in Murakami` (PhD).
Tom Mason (First supervisor Sarah Leahy): `Surrealism and the Hollywood Musical 1929-1979: Surrealism Influence, Popular Perception and the Evolution of a Genre' (PhD).
Yueying Wu (First supervisor Gitte Hansen): `Magical Female Bodies in Murakami Haruki, Mo Yan, ad Gabriel Garcia Márquez' (PhD).
Ruby Buttolph (Co-supervisor Hannah Scott): 'Queer Female and Transmasculine Identities in Contemporary Brazilian Music' (MLitt).
Undergraduate teaching
Module leader for
POR2001 Cultures and Societies of the Portuguese-Speaking World
POR4003 Identidades Pós-Coloniais Luso-Afro-Brasileiras
Postgraduate teaching
Module leader for
FMS8363: Global Film Cultures and Practices I
FMS8099: Dissertation / Independent Project
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Articles
- Beleza F. Lisboa afropolita: Geografias emergentes do cosmopolitismo afrodescendente. Via Atlântica 2025, 26(1), 522-561.
- Beleza F. Mário Domingues, Race, and the Black Modernist Novel in Portugal (O preto do Charleston [1929]). Portuguese Studies 2024, 40(1), 30-45.
- Beleza F. AntropoSines: Petrocultura, violência lenta e pensamento ecológico em Al Berto. Anthropocenica 2022, 3, 135-155.
- Beleza F. Sustainability at the Margins: Avant-Garde Cinema and the Environment in Rogério Sganzerla’s cinema do lixo. A Contracorriente 2020, 17(2), 182-198.
- Beleza F. Pessoa e a pulsão de morte: Decadência, heteronímia e modernismo. Estranhar Pessoa 2019, 6(1), 63-78.
- Beleza F. Mobilidade transnacional, dissidência sexual e hibridismo em A confissão de Lúcio, de Mário de Sá-Carneiro (1914). Journal of Lusophone Studies 2019, 4(1), 64-86.
- Beleza F. "Orpheu cosmopolita: Políticas culturais e heterotopia sensacionista em ‘Ode maritima,’ de Álvaro de Campos". Estranhar Pessoa 2015, 2(1), 30-56.
- Beleza F. Das margens do império: Raça, género e sexualidade em Recordações d’uma colonial (memórias da Preta Fernanda). ellipsis: Journal of Lusophone Studies 2014, 12(1), 215-241.
- Beleza F. (Re)imagining Masculinities and the Nation in Almeida Garrett’s Travels in My Homeland. Portuguese Literary and Cultural Studies 2012, 21/22(1), 199-218.
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Book Chapters
- Beleza F. Sexologia, desejo e transgressão em A confissão de Lúcio, de Mário de Sá-Carneiro. In: Curopos F, Silva A, ed. Paris, Mário de Sá-Carneiro et les Autres. Paris: Editions Hispaniques, 2017, pp.37-54.
- Beleza F, Park S. Introduction: The Making of a Cosmopolitan Modernist. In: Beleza, F; Park, S, ed. Mário de Sá-Carneiro, a Cosmopolitan Modernist. Oxford: Peter Lang, 2017, pp.1-10.
- Beleza F. “Peripheral Desires, Modernist Fantasies: Mario de Sá-Carneiro’s Queer Cosmopolitanism”. In: Beleza F, Park S, ed. Mário de Sá-Carneiro, a Cosmopolitan Modernist. Oxford, UK: Peter Lang, 2017, pp.111-136.
- Beleza F. Linguagem, representação e o Real n’A relíquia de Eça de Queirós. In: Lourenço A, Santana H, Simões M J, ed. O século do romance. Realismo e Naturalismo na ficção oitocentista. Coimbra: Almedina, 2012, pp.479-490.
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Conference Proceedings (inc. Abstract)
- Beleza Fernando. As heterotopias de Pessoa. In: Congresso Internacional Fernando Pessoa. 2021, Lisbon: Casa Fernando Pessoa.
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Edited Book
- Beleza F, Park S, ed. Mário de Sá-Carneiro, a Cosmopolitan Modernist. Oxford: Peter Lang, 2017.
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Reviews
- Beleza F. Vasconcelos R, Pizarro J, eds. Em alma e ouro: A correspondência com Fernando Pessoa. Journal of Lusophone Studies 2016, 1(2), 309-311.
- Beleza F. Cousineau T. An Unwritten Novel. Fernando Pessoa’s The Book of Disquiet. ellipsis: Journal of the American Portuguese Studies Association 2014, 12(1), 293-296.
- Beleza F. Anibal Frias. Fernando Pessoa et le quint-empire de l’amour. Quête du désir et alter-sexualité. Portuguese Literary and Cultural Studies 2013, 23/24(1), 441-443.