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Staff Profile

Dr Andrew Shail

Senior Lecturer in Film

  • Email: andrew.shail@ncl.ac.uk
  • Telephone: +44 (0) 191 2085566
  • Address: Armstrong Building, Room 3.07
    Student Hours - Tuesdays 11-12 and Thursdays 9-11 (in teaching weeks only)
Background

I am a historian of the cultural landscape of the 1890-1930 period, specialising in the emergence of cinema in Europe and North America, and a scholar of the politics of religion.

All three of my degrees are from Exeter University, home of the Bill Douglas Cinema Museum, one of many archives utilised in my research. I have been a lecturer at Northumbria University and a senior research fellow at the University of Oxford, as well as a visiting fellow at the Harry Ransom Humanities Research Center at the University of Texas at Austin.

Research

Research Interests

My research falls into four major areas: 1) the media landscape of Europe in the period 1880-1930, including cinema and literature, 2) Hollywood since 1975, 3) religious belief during the twentieth and twenty-first centuries, and 4) the history of menstruation. I am also a regular guest on the Audiovisual Cultures podcast. Episode 45 features me on my research on the origins of the film star system. A sample of my book The Origins of the Film Star System (2019) is available here.

Google Scholar Citations

Current Work

I am currently writing a book on religious privilege in contemporary anglophone culture and researching both early cinema culture in the North East of England and the 'discovery' of the purpose of menstruation during the long nineteenth century.

Future Research

Forthcoming projects include testing changes in live entertainment forms during the late-nineteenth and early-twentieth centuries against evolutionary models of how new media emerge, which I plan to use as the basis for a new multi-volume, multi-author history of cinema in the British Isles. Other future projects include articles on film discourse during the 1910s, the Ghostbusters franchise and the history of time travel in prose fiction, and a book on the place of willing suspension of disbelief in religious practice. My long-awaited account of the emergence of the super hero in the interwar period will continue to be awaited for a while longer.

Postgraduate Supervision

I welcome applications from prospective research students in any area of anglophone film history, particularly those hoping to specialise in early cinema, points of contact between cinema and other media, popular cinema culture, or contemporary Hollywood. I am also keen to supervise work on late-Victorian and Edwardian culture in general, literary modernism, cultural representations of time, and the history of menstruation. Newcastle is an ideal place for a PhD on Victorian/Edwardian visual culture in particular, as Tyne & Wear Archives holds two major collections of advertising for nineteenth- and twentieth-century popular entertainments - the Robert Wood Collection (on Hartlepool) and Arthur Fenwick Collection (on circus) - totalling over 12,000 items. I am also assembling a database of public entertainments in Newcastle in the period from c.1870 to c.1920 that would be an ideal resource for PhD research.

Teaching

Undergraduate Teaching

Module leader for MCH1025 Introduction to Scholarly Practice (stage 1) & MCH3037 Religion in Recent US Film (stage 3).

Postgraduate Teaching

Module leader for FMS8358 Screen Aesthetics.

Contributor to FMS8055 Approaches to Film Theory & History, FMS8355 Stars: Systems, Theories, Nations, FMS8360 Researching Film, FMS8099 Dissertation for MA in Film, MCH8199 Dissertation for MA in Media & Public Relations & MCH8299 Dissertation for MA in Media & Journalism.

Publications