Staff Profile
Dr James Riding
NU Academic Track Fellow (NUAcT)
- Email: james.riding@ncl.ac.uk
- Address: School of Geography Politics and Sociology
Rm 3.29, Henry Daysh Building
Newcastle University
Newcastle Upon Tyne, UK
NE1 7RU
I am a cultural geographer interested in finding new ways to creatively and critically narrate geographies of place, region, and landscape through oral history, ethnographic exploration and performative interventions in a variety of spaces. In my research I employ a range of methodological approaches and fieldwork techniques to describe regions, places and landscapes, and their inhabitants, drawing from performance studies, memory studies, and heritage studies, as well as poetry and literature. Much of the grounded fieldwork I have undertaken is located in estranged and difficult spaces such as former conflict zones and seeks to understand post-conflict societies through the writing of places and people, from the trenches of northern France to the once besieged city of Sarajevo.
I joined Newcastle University in September 2019 as NU Academic Track Fellow (NUAcT) in the Department of Geography and I have previously held postdoctoral positions at Tampere University (2016 - 2019 Academy of Finland RELATE Centre of Excellence) and the University of Sheffield (2013 - 2016 Leverhulme Early Career Research Fellowship). I gained my PhD from the University of Exeter in 2012 and I published an edited version of my thesis entitled Land Writings: Excursions in the Footprints of Edward Thomas in 2017. I am also the Reflections section editor (2017 - present) of the oldest Finnish geography journal Fennia - International Journal of Geography (published by the Geographical Society of Finland since 1889).
My recent articles (see Publications) deal with questions of trauma, memory, and nostalgia in post-conflict Bosnia and Herzegovina, exploring the post-socialist ethno-nationalist politics of the state, cultural heritage and memorial sites, spaces of activism and resistance, and the everyday spaces of the post-conflict city. These grounded articles relate to an experiment in ethnographic place-writing recently published by ibidem-Verlag called The Geopolitics of Memory: A Journey to Bosnia (2019), a documentary called Bridges <Bosnia 20> and an edited book published by Routledge called Reanimating Regions: Culture, Politics, and Performance (2017) which reanimated the study of regions in geography.
Please get in touch if you are interested in pursuing PhD research on the politics and geography of memory; nostalgia in post-socialist states; creative and cultural geographies of landscape and place; ethnographic and animated studies of regions; and transitional justice and reconciliation in post-conflict states.
Please also get in touch if you are interested in publishing a commentary, intervention, or short essay in the Reflections section of Fennia - International Journal of Geography and/or if you have an idea for a special issue related to contemporary geographical issues.
My research focuses on questions of trauma, memory, and nostalgia in post-conflict Bosnia and Herzegovina; creative, embodied and artistic explorations of place, landscape, and region; and the geopolitics of activism and resistance in post-socialist former Yugoslavia.
My current project funded by a NUAcT Fellowship is called The Former State Project. It asks a simple question: in what ways, how and why, does a former state endure in the public consciousness? The symbolic power of Yugoslavia to shape politics and nation building in the new post-conflict, post-socialist successor states of the former Yugoslavia is well known, yet a critical examination of the former state in the present, is absent. Investigating the former state in the present, this project will build upon critical analyses of post-conflict, post-socialist economic, social, and political transformation in the western Balkans. The main objective is to study the socialist spaces present in post-Yugoslav space, such as practices, institutions and material heritage. Working at the interface between the social sciences and the arts and humanities, this project will use a multi-sited ethnographic approach to study these objectives, incorporating site-specific observation, film and photography, interviews and oral history, focus groups and archival research, following and performing stories of the former Yugoslavia. The project will seek to create new knowledge of post-Yugoslav space, consider how co-existing narratives of the past are accommodated, and contribute to cultural dialogue, mutual understanding and enhanced inter-comprehension between Yugoslavia’s successor states.
Related to this is a British Academy/Leverhulme Small Research Grant 2019/2020 funded through the Elisabeth Barker Fund – research in the field of recent European history, particularly the history of central and eastern Europe – called The Former State Project: A Journey Through Yugoslavia. What remains of a former state? To answer this question, a geographer, filmmaker and poet follow the route of a six-week ethnographic journey taken in 1937 by British author Rebecca West (1892–1983) through Yugoslavia. Following West's thousand-page travel-book Black Lamb and Grey Falcon (1941) our aim is to document what remains of Yugoslavia, creating the first film about West and a travel-guide to a country that no longer exists. This project arrives at a time when Yugoslavia remains within living memory and it captures small details and intimate memories of the former state before they are lost. Yugoslavia is remembered differently across the territorial space of the former state and this project provides a comparative study of the seven new states that stand where Yugoslavia once stood. Employing a multi-media, multi-disciplinary approach in the region, it performs a novel yet critical engagement with the geo-humanities and the new mobilities paradigm.
To complement the British Academy/Leverhulme Small Research Grant 2019/2020 we received a GeoHumanities Variations on Mobility Creative Commission (2019 - 2020) to create a short film about journeys to Yugoslav monuments built after WWII documenting their form through poetry.
An internal grant through the Geography Impact Catalyst Fund in the School of Geography, Politics, and Sociology at Newcastle University has also been used to complete a feature length documentary called I Remember When I Was A Window made with two filmmakers on location in Bosnia and Herzegovina.
My previous research funded by the Leverhulme Trust [ECF 2013-638] called New Regional Geographies (For Sarajevo) led to a number of academic and creative outputs which are built upon in my current project and this varied work can be found under Publications.
Undergraduate Teaching
GEO1015 Contemporary Human Geographies of the UK
GEO2043 Key Methods in Human Geography
GEO2235 Bosnia and Herzegovina Field Course (Module Leader)
PhD Supervision
Haris Husarić
Emma Bloodgood
- Riding J. Landscape after genocide. Cultural Geographies 2020, 27(2), 237-259.
- Riding J. The Geopolitics of Memory: A Journey to Bosnia. Stuttgart: ibidem-Verlag, 2019.
- Kallio K-P, Riding J. Open policies, open practices - open attitudes?. Fennia 2019, 197(1), 1-7.
- Riding J. A new regional geography of a revolution: Bosnia's plenum movement. Territory, Politics, Governance 2018, 6(1), 16-41.
- Kallio K-P, Riding J. Dialogical peer-review and non-profit open-access journal publishing: welcome to Fennia. Fennia 2018, 196(1), 4-8.
- Kallio K-P, Riding J. Geographies of welcome. Fennia 2018, 196(2), 131-136.
- Riding J. A radical regional geography: notes on a revolution. In: Riding, J; Jones, M, ed. Reanimating Regions: Culture, Politics, and Performance. London: Routledge, 2017, pp.97-116.
- Riding J. Extreme geographies: a response from a dependent semi-periphery of the post-neoliberal Europe. Fennia 2017, 195(1), 106-112.
- Riding J. Geographical testimony: a short history of a Yugoslav family. Journal of Cultural Geography 2017, 34(2), 250-267.
- Riding J. Land Writings: Excursions in the Footprints of Edward Thomas. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017.
- Riding J, Jones M, ed. Reanimating Regions: Culture, Politics, and Performance. London: Routledge, 2017.
- Riding J. Representing a divided place: the artistic-military practice of Mladen Miljanović. Cultural Geographies 2017, 24(1), 171-180.
- Kallio K-P, Riding J. Six sideways reflections on academic publishing. Fennia 2017, 195(2), 161-163.
- Riding J, Wake-Walker J. Towards a cultural geopolitics: on the making of a documentary-poetry film about a post-conflict place. Fennia 2017, 195(1), 61-84.
- Riding J. Writing place after conflict: exhausting a square in Sarajevo. GeoHumanities 2017, 3(2), 431-450.
- Riding J. A geographical biography of a nature writer. Cultural Geographies 2016, 23(3), 387-389.
- Riding J. Death drive: final tracings. In: Hawkins, H; Straughan, E, ed. Geographical Aesthetics: Imagining Space, Staging Encounters. Farnham: Ashgate, 2015, pp.181-196.
- Riding J. Landscape, memory, and the shifting regional geographies of northwest Bosnia-Herzegovina. GeoHumanities 2015, 1(2), 378-397.
- Riding J, Kallio KP, Behroozi P, Berg LD, Brackebusch A, Derksen M, Ducs J, Henriksen IM, Huijbens EH, Jakobsen TS, Jones M, Magusin H, Parker A, Peak A, Pyyry N, Refstie H, Smeplass E, Tao H, Thorshaug RØ. Collective editorial on the neoliberal university. Fennia: International Journal of Geography 2019, 197(2), 171-182.