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Module

MUS8022 : Instrumental and Vocal Pedagogy: Practice-based Teaching

  • Offered for Year: 2025/26
  • Module Leader(s): Dr Larry Zazzo
  • Lecturer: Dr Julia Partington, Ms Nancy Kerr Elliott, Professor Catriona Macdonald
  • Owning School: Arts & Cultures
  • Teaching Location: Newcastle City Campus
Semesters

Your programme is made up of credits, the total differs on programme to programme.

Semester 1 Credit Value: 20
ECTS Credits: 10.0
European Credit Transfer System

Aims

Instrumental and Vocal Pedagogy introduces students to the theories and practice of vocal and instrumental pedagogy, and strategies for incorporating this knowledge into their own teaching of both individuals and groups. It develops an awareness of the developmental needs of instrumental or vocal performers and applies theoretical and science-based approaches to one-to-one and group learning. Students observe and work in a lessons studio to develop their pedagogical skills, and to discover how teaching effects creative practice. In short, the module aims to facilitate learning in how teaching can enhance the practice of musicianship.

Outline Of Syllabus

Teaching involves a mixture of lectures, workshops and fieldtrips on specific topics concerning practical pedagogy from current teaching staff and from invited guest speakers, and might include:

- History of instrumental pedagogy
- Selecting appropriate repertoire for your student
- Anatomy of the voice
- Performer psychology
- Freelance practitioners: developing your studio
- Breathing and Performance
- Troubleshooting vocal and instrumental faults
- Working with neuro and gender diverse students
- Feutchtwanger technique for pianists and other performers

An important part of the module will consist of peer observation of teaching by professional tutors on staff, as well as supervised one to one or group teaching, leading to the preparation of the assessment

Teaching Methods

Teaching Activities
Category Activity Number Length Student Hours Comment
Guided Independent StudyAssessment preparation and completion170:0070:00Preparation and completion of assessment
Scheduled Learning And Teaching ActivitiesLecture81:008:00Present in Person Lectures [some expert guest lecturers may need to deliver lectures remotely]
Scheduled Learning And Teaching ActivitiesLecture42:008:00attendance at visiting masterclasses/UG instrumental heads of studies workshops
Scheduled Learning And Teaching ActivitiesPractical61:006:00Observation of mentor’s one to one teaching
Scheduled Learning And Teaching ActivitiesSmall group teaching81:008:00Present in Person Seminars/Peer observation of teaching
Guided Independent StudyReflective learning activity134:0034:00reflective journaling on teaching practice
Scheduled Learning And Teaching ActivitiesDrop-in/surgery21:002:00Tutorials with pedagogical ‘mentor’
Guided Independent StudyIndependent study164:0064:00Reading and other Research
Total200:00
Teaching Rationale And Relationship

The lectures work together to convey theoretical and practical knowledge relevant to contextualising the practice of vocal and instrumental pedagogy (K1–4, S1–4)

Present-in-person workshops provide an opportunity to implement knowledge from the lectures in hands-on peer observation and staff-guided teaching situations (K1–4, S1–4)

The one-to-one tutorial sessions provide opportunities for students to reflect on and ask questions about the teaching approaches of their chosen mentor, with a view to preparing their assessment (S1-4)

Assessment Methods

The format of resits will be determined by the Board of Examiners

Other Assessment
Description Semester When Set Percentage Comment
Oral Presentation1A50Submitted video of taught lesson 15-20 minutes
Portfolio1A501500-word reflective commentary with supplementary materials (lesson plans, repertoire lists, other teaching materials)
Assessment Rationale And Relationship

The two assessments allow students to demonstrate practical skills acquired, their ability to contextualise these with theoretical and practical approaches, and provide evidence of materials produced during the module that would be relevant for teaching their chosen instrument to an instrument or group (K1–4; S1–4)

Oral Presentation (50%)
Students will submit a video in which they teach a short musical lesson to a volunteer singer or instrumentalist, assessed on the following task specific criteria:
1)       Critical contextualisation of theoretical or practical knowledge into teaching methods (K1; S1)
2)       The ability to diagnose and correct vocal and instrumental faults (S2)
3)       An attuned teaching style responding to the specific needs/skill level of the student (S3)
4)       The effective and targeted use the time (S4)

Portfolio (50%)

The submitted portfolio will include a 1500-word reflective commentary on their teaching process, as well as supplementary materials (lesson plans, repertoire lists, other teaching materials) developed over the course of the module. Students are assessed on the following task specific assessment criteria:

1)       Engagement with current theoretical and practical research on musical pedagogy in their area of teaching (K1),
2)       Display of an awareness of more than one approach to aspects of instrumental pedagogy (K2)
3)       Production of teaching materials appropriate to more than one age group or skill level (K3; S1; S3)

Reading Lists

Timetable